I enjoy very much Buxtehude and Salverde, Purcell & William Young, in addition to the others mentioned. You can arrange some of the Mattheis as well. dt
At 01:46 AM 7/15/2009, you wrote: >On Wed, Jul 15, 2009 at 10:19 AM, hera caius<caiush2...@yahoo.com> wrote: > > =A0 I am searching for some music for renaissance viol and theorbo... > > >A theorbo being a baroque instrument and a renaissance viol a, well, >renaissance instrument, you'll have to compromise somewhere, but this >should not distract you in any way from playing beautiful music >together. >16th century music >Ortiz, but not the diminutions on the four-part madrigals/chansons, as >these are not really for theorbe. If you can manage nonetheless, all >the better for you, obviously. I prefer to play this music on a >renaissance lute. >Around 1600 >Simpson is great. As are Italian diminutions by e.g. Rogniniono, Dalla >Casa et al. Again, take care with the intabulated polyphony, that can >be so hard on theorbo. Or bring your renaissance lute as an easy >escape. >If your viol player doesn't mind later music, go for Marais and lose >yourself in his beautiful music. >Want to go really modern? Abel or C. Ph. E. Bach. So good! > >So much to choose from, enjoy! > >David > > > > >--=20 >******************************* >David van Ooijen >davidvanooi...@gmail.com >www.davidvanooijen.nl >******************************* > > > >To get on or off this list see list information at >http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
