On Wed, Feb 24, 2010 at 8:27 PM, David Tayler <vidan...@sbcglobal.net> wrote:
> However, if you realize the alto voice up, there is a big problem, > this then completely removes the 7-6 suspension Point taken. Indeed, 7-6 was sorely missed (although that one is my ears, even when playing the Poulton version. Striking how what's in your head will influence so strongly what you hear). But how do you finger your version? I cannot hold all notes - or am I missing something again? Best solution would be to play the new g with the first finger and use that for the b-flat. Bass and soprano must be held, after all. Pity, though, not to be able to sustain the new g. Have to try this in some different versions. David -- ******************************* David van Ooijen davidvanooi...@gmail.com www.davidvanooijen.nl ******************************* To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html