Dear all,
   Just a couple of things to point out:
   As far as I recall, Hoppy plays the Toccata Arpeggiata on the lute
   rather than the theorbo, which might account for his choice of arpeggio
   pattern.
   In Ms. Barb. Lat. 4145 you can find exactly the same arpeggio sign as
   used by Kapsberger and Piccinini, but it is clearly used to mean a pima
   arpeggio (f.14v). According to Coehlo, Kapsberger was partly
   responsible for copying this Ms (albeit not this folio), and it clearly
   shows that even if Kapsberger did not use it himself, the "a" finger
   was definitely employed by other players when playing arpeggios on the
   theorbo, in the same place and at the same time...
   (Also, have a look at Castaldi's Arpeggiata a mio modo to see how he
   played arpeggios "his way"!)
   Personally, I play the arpeggios as Kapsberger describes, but wouldn't
   discount the other options. If you're in the area, I'll be playing both
   Arpeggiatas (along with other pieces from Kapsberger, Piccinini,
   Castaldi, Frescobaldi) in a concert in Pabianicach, Poland this
   Saturday:
   [1]http://www.rotwl.pl/iv_midzynarodowy_festiwal_muzyka_wiata_w,973,0,0
   .html
   All the best,
   Sam

   On 19 October 2010 02:43, Bruno Correia <[2]bruno.l...@gmail.com>
   wrote:

       Hi Christopher,

       Bruno,
          You're correct.  The author advises not to use the 'a' finger.
       The reason behind this and other arcane mysteries will be explained
       in Kapsperger's new book "Kapsperger della musica."  Coming soon to
       a bookseller near you!

       True, unfortunately the book is lost or maybe never came out of
     print.

       HK only gives p-i-m-i and Picinnini advises the same way except in
       very quick passages where you can strum the chords "in a single
   blow
       as on the lute."  I personally don't think they cared about always
       going from low to high, but who knows?

       It's interesting that both Kaps. and Piccinini give very similar
       examples of arpeggios, and both exclude the use of the (a) finger.
     The
       direction of the pattern is a controversial subject, but I think
     you
       are right about this. Musicologist, Victor Coelho, also points in
     this
       direction in his article "Frescobaldi and the lute and chitarrone
       toccatas of 'Il tedesco della tiorba' ".
       Bruno.

       Chris
       Christopher Wilke
       Lutenist, Guitarist and Composer

         [1][3]www.christopherwilke.com
         --- On Mon, 10/18/10, Bruno Correia <[2][4]bruno.l...@gmail.com>
     wrote:
         > From: Bruno Correia <[3][5]bruno.l...@gmail.com>
         > Subject: [LUTE] Re: Toccata
         > To: "Lute List" <[4][6]l...@cs.dartmouth.edu>

       > Date: Monday, October 18, 2010, 7:27 PM
     >    Howard,
     >
     >
     >
     >    Exactly the way I'm doing. No (a) finger
     > (the author adverts against
     >    its use!) and always following the
     > pattern you describe. Not easy to do
     >    in certain chords...
     >
     >
     >
     >    Thanks.
     >
     >
     >
     >
     >

       >    2010/10/18 howard posner <[1][5][7]howardpos...@ca.rr.com>

     >
     >    On Oct 18, 2010, at 1:54 PM, Thomas
     > Schall wrote:
     >    > Hoppy plays it p-i-m-i-a-i-m-i (if I
     > recall correctly)
     >
     >      I hope not.  I think you
     > p-i-m-i-p-i-m-i.  Kapsberger's instruction
     >      in the front of the book are
     > pretty clear, if I recall: keep the
     >      same pattern, rather than
     > arpeggiating bottom to top all the time.
     >
     >    To get on or off this list see list
     > information at

       >
     [2][6][8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       >
       >    --
       >
       > References
       >
       >    1. mailto:[7][9]howardpos...@ca.rr.com
       >    2.
     [8][10]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
       >
       >
       --
     References
       1. [11]http://www.christopherwilke.com/
       2. mailto:[12]bruno.l...@gmail.com
       3. mailto:[13]bruno.l...@gmail.com
       4. mailto:[14]l...@cs.dartmouth.edu

     5. mailto:[15]howardpos...@ca.rr.com

       6. [16]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

     7. mailto:[17]howardpos...@ca.rr.com
     8. [18]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   To get on or off this list see list information at
   [19]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --
   Sam Chapman
   Oetlingerstrasse 65
   4057 Basel
   (0041) 79 530 39 91
   --

References

   1. http://www.rotwl.pl/iv_midzynarodowy_festiwal_muzyka_wiata_w,973,0,0.html
   2. mailto:bruno.l...@gmail.com
   3. http://www.christopherwilke.com/
   4. mailto:bruno.l...@gmail.com
   5. mailto:bruno.l...@gmail.com
   6. mailto:lute@cs.dartmouth.edu
   7. mailto:howardpos...@ca.rr.com
   8. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
   9. mailto:howardpos...@ca.rr.com
  10. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
  11. http://www.christopherwilke.com/
  12. mailto:bruno.l...@gmail.com
  13. mailto:bruno.l...@gmail.com
  14. mailto:lute@cs.dartmouth.edu
  15. mailto:howardpos...@ca.rr.com
  16. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
  17. mailto:howardpos...@ca.rr.com
  18. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html
  19. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html

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