Sounds suspiciously similar to KFG. (So-called "Karbon FIbre Gut"?) I 
have been using them in some applications for years, and in fact the 
thinnest is .95 mm and I have used them on C-5 in the past, feels 
equivalent to 1.04 to me, very close to Martins's. Perfectly 
satisfactory as unisons, second to gut in my experience. I still use 
a .95 w/octave string  as a 6-A fundamental on the Baroque lute, 
followed by successively appropriate gauges until 11-C where solid 
silver (NOT mere silver plated) overspuns take over. Old E.O. Mari 
"La Bella" guitar 4th string.

Has anyone compared KFG to these KF harp strings?

Dan

>Dear All,
>
>I have been using these KF strings for some years.  The smallest 
>diameter is .95mm, but this is the equivalent of a gut string of 
>about 1.07mm.  The one I use is "KF95A", but I think the "A" just 
>refers to the fact that it is a 2m length.  It works well as a 5th 
>course on a renaissance lute (with an octave - I have not tried 
>unison).  It looks more like a gut string, opaque rather than clear. 
>I have not tried the thicker strings, but it seems that it might be 
>worth a try - I think Jacob Heringman may have done so.
>
>I think the next size down is .91mm, but it is a plain monofilament 
>PVF string.  I think some people are using them for a unison 5th 
>course.
>
>Best wishes,
>
>Martin
>
>On 10/12/2010 10:05, Anthony Hind wrote:
>>     Dear Theo
>>
>>       Just recently on the French Lute list, Carlos Gonzales, 
>>president of the Sp
>>anish Vihuela society, and lutemaker, has sopoken highly of these 
>>strings vihuel
>>a (President Carlos Gonzales)spoke about this;
>>
>>     See the thread here,
>>     $
>>     Re: [Le_luth] Cordes vihuela - demande `a Carlos
>>     $
>>     [1]http://fr.groups.yahoo.com/group/Le_luth/message/12239
>>     $
>>     has said that for the last few years he has been using these Savarez KF
>>     strings made specially for harps, as basses for lutes baroque guitars
>>     and vihuelas. He confirms that they are made up of thinner strands
>>     glued together, and that he finds them "very balanced, as sweet as the
>>     human voice". He admits that you need to get used to their thickness,
>>     but it remains thinner than pure gut types.
>>     He gives an example of the stringing he uses on a lute or 7c Vihuela :
>>     g' KFN33 - d' KFN43 - a KFN52 - f KFN66-33 - c KFN84 - 43,5 - G KFN 112
>>     - 57 - F KFN126 - 62.
>>     He goes on to say that his wife has used them for some years, and that
>>     in his experience, it is hard to come back to wirewounds after using
>>     them. Although, he says he has heard that some players wax their wire
>>     wounds to make them less bright.
>>     $
>>     It seems that at the next  [2]Festival de Musica Antigua at Gijon, the
>>     topic of strings will be on the agenda, and he hopes that it will be
>>     possible to compare these harp strings, with Charles Besnainou's spring
>>     strings (Charles is invited to this meeting), and Mimmo Peruffo's
>>     loaded strings. Carlos hopes to make acoustic analyses of these
>>     differents string types, in his sound laboratory.
>>     $
>>     Please note that I am only reporting Carlos's words, and not endorsing
>>     them, as I have never heard these strings. I have heard both Charles
>>     Besnainou's ultra low impedance spring strings, and myself use low
>>     impedance loaded strings, which I find excellent, when used in the
>>     right combination of strings (see the recent loaded string thread).
>>     Charles' spring strings can either be made of carbon or of gut, but I
>>     have only heard the gut strings on bowed instruments. I did hear his
>>     carbon springs on his lutes: I would say that they are very free and
>>     open, with excellent high frequency content (low impedance), but they
>>     also did add a plasticky sound to the overall sound-mix; which was not
>>     at all the case with the bowed gut spring strings. I wonder to what
>>     extent the KF harps stirings add that plasticky quality, or whether the
>>     fact that they are composites gets round the bell like sound of most
>>     carbon strings.
>>     $
>>     Stephen Gottlieb who is reputed for using only gut basses on his lutes
>>     (mainly those of George Stoppani), mentionned that he had tried some
>>     carbon KF basses, which he had had to cut down to get through the
>>     bridge holes; but he said they were rather good. I imagine these could
>>     be the same strings.
>>     Regards
>>     Anthony
>>     epuis quelques annees j'utilise des cordes Savarez KF conc,ues pour les
>>     harpes "carbone file carbone". En fait se sont les cordes KF `a partir
>>     du diametre 0,95, au lieu d'etre du monofilament  elles se presentent
>>     sous la forme d'un monofilament avec des tres fins brins colles. Je les
>>     utilise pour les bourdons et  on peut corder une vihuela, une guitare
>>     baroque ou un luth sept choeurs sans cordes filees metal. Je trouve le
>>     son tres equilibre et les basses douces comme des voix humaines. Il
>>     faut s'y habituer aux grosses diametres , meme si en boyau les graves
>>     seraient encore plus grosses.
>>     Un exemple de cordage pour luth ou vihuela `a 7 choeurs: g' KFN33 - d'
>>     KFN43 - a KFN52 - f KFN66-33 - c KFN84 - 43,5 - G KFN 112 - 57 - F
>>     KFN126 - 62.
>>     Mon epouse Mabel les utilise depuis des annees, et il faut dire
>>     qu'apres on a du mal `a revenir aux cordes filees metal. J'ai entendu
>>     dire que certains enduisent de cire les cordes filees pour les rendre
>>     plus mates, mais je n'ai jamais essaye.
>>     Cela dit on est toujours `a la recherche d'autres solutions, comme les
>>     cordes spiralees de Charles Besnainou ou les cordes chargees en metal
>>     de Mimmo Peruffo. C'est pour c,a que  j'aimerais qu'ils nous parlent de
>>     leurs experiences `a Gijon et qu'on puisse les  y analyser dans
>>     l'atelier d'acoustique.
>>     Amities
>>     Carlos
>>
>>I was recently at a harp convention (wife is a harpist), and a harp repairman
>>told me about a new advance in strings from Savarez,
>>that they have produced a nylon string (NOT carbon fibre, nor other 
>>synthetic)
>>that has fibres of some sort imbedded within,
>>The fibres apparently lend both strength and warmth, to sound and feel more
>>like gut.
>>I checked the Savarez website but the site has scant information (at least in
>>the english site).
>>Does anyone know more about these strings, or is this just rumor/bad
>>information?
>>cheers, trj
>>
>>--
>>To get on or off this list see list information at
>>[3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>>     --
>>
>>References
>>
>>     1. http://fr.groups.yahoo.com/group/Le_luth/message/12239
>>     2. http://www.musicaantiguagijon.com/
>>     3. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html


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