This business about the imagined clefs is another thing that Hector
   Sequora explains in quite a bit of detail in his dissertation on
   Paston.
   Nancy
   At 02:29 PM 12/4/2011, A.  J. Ness wrote:

        They indicate the pitch of the indicated course. In other words,
        guideposts for the arrangement of hexachors opn the lute
     fingerboatrd.
        Apparently lutenists could imagine their instrument as being
     "tuned" in
        any number of nominal pitches. It is rather easy when one
     "thinks" in
        hexachords. It makes transposition on the lute easy, as well.
     That's
        the point of Ward's article that David Tayler cites.  It is
     reprinted
        in the JLSA (vol. 15 [1982]: 27ff.).
        ----- Original Message -----
        From: [1]Frank A. Gerbode, M.D.
        To: [2]Art Ness
        Sent: Saturday, December 03, 2011 2:39 PM
        Subject: tab clefs
          I think I may have asked you this before.  If so, apologies.
          I just finished work on [3]El Parnasso, and now I am taking
     another
          look at Orphenica Lyra with a view to supplying missing data
          (including indicating the red notes with a dot as in Daza) on
     these
          pieces and have encountered these two marks (attached).
          Can you tell me their significance?  My guess is that the
     triple
          mark signifies an "F clef" and the double one a "C clef",
     labeling
          the course they are on in that manner.  I don't know for sure
     that
          is right, and whether these refer only to the open string or to
     the
          first melody note on that string.  Or maybe they signify fa and
     ut
          rather than Fefaut and Cesolfaut.
          Any help you could give would be much appreciated.
          I hope all is well with you. It's been family madness around
     here --
          three Thanksgiving dinners, followed by several days of
     Thanksgiving
          leftovers. I'm ready to give up turkey for another year.
          --Sarge
     --
     Frank A. Gerbode, M.D. ([4][email protected])
     742 Second St East
     Sonoma, CA 95476-7104
     Home phone:  707-938-4447  Fax: 707-938-4471
     Website:  [5][1] http://www.gerbode.net
     "The map may not be the territory, but it's all we've got."
        --
     References
        1. [2]mailto:[email protected]
        2. [3]mailto:[email protected]
        3. [4]http://gerbode.net/ft2/composers/Daza/el_parnasso_1576/
        4. [5]mailto:[email protected]
        5. [6]http://www.gerbode.net/
     To get on or off this list see list information at
     [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   Nancy Carlin Associates
   P.O. Box 6499
   Concord, CA 94524  USA
   phone 925/686-5800 fax 925/680-2582
   web sites - [8]www.nancycarlinassociates.com
   [9]www.groundsanddivisions.info
   Representing:
   FROM WALES - Crasdant  & Carreg Lafar,  FROM ENGLAND - Jez Lowe & Jez
   Lowe & The Bad Pennies, and now representing EARLY MUSIC - The Venere
   Lute Quartet, The Good Pennyworths & Morrongiello & Young
   Administrator THE LUTE SOCIETY OF AMERICA
   web site - [10]http://LuteSocietyofAmerica.org
   --

References

   1. http://www.gerbode.net/
   2. mailto:[email protected]
   3. mailto:[email protected]
   4. http://gerbode.net/ft2/composers/Daza/el_parnasso_1576/
   5. mailto:[email protected]
   6. http://www.gerbode.net/
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   8. http://www.nancycarlinassociates.com/
   9. http://www.groundsanddivisions.info/
  10. http://lutesocietyofamerica.org/

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