and where can those pegs be bought? Being from the old school,with
   lutes built in 1980, I haven't always followed up on the lates
   innovations...

   A

   Bruno

   On Fri, Aug 17, 2012 at 7:26 AM, Miles Dempster
   <[1]miles.demps...@gmail.com> wrote:

     ..now, if somebody could double the length of my left arm, it might
     be possible to tune my theorbo diapasons on the fly!

   On 2012-08-17, at 1:23 AM, Edward Martin wrote:
   > OK, Nancy asked me to jump in, so I will.
   >
   > The first experience with these pegheds was on Dan Winheld's 8-course
   > lute. A I really liked them, a lot.
   >
   > Then, about a year ago, I took my first plunge with these gears
   > (pegheds). A I had them installed on my 6-course vihuela, and they
   > immediately solved many, many problems. A First off, baroque guitars
   > and vihuelas (probably renaissance guitars) A have problems, in that
   > the traditional peg goes through only one hole, as opposed to two
   > holes for a lute. A Therefore, the vihuela has a greater tendency to
   > slip. A The pegheds remedied this problem, and I later decided, last
   > early spring, to have them installed on my 11-course lute. A My
   > 11-course baroque lute partner, Tom Walker, also has a lute that is
   > an exact match to mine, and he also has pegheds. A So, I have
   > experience with 4 instruments in pegheds, (very limited with Dan
   > Winheld's 8-course, however). A It improved my 11-course instrument
   > dramatically, with better tuning. A This is especially important when
   > using gut, and all these instruments are entirely strung in gut.
   >
   > By the way, Tom'sa lute was just 5 days old (!!) when he received it,
   > and we had a concert that night. A The hall filled with people, and
   > the heat and humidity went up. A The gut strings were so stable with
   > pegheds, that we had NO TUNING for the entire concert, with exception
   > of tuning diapasons to a different key!! A That in itself is
   remarkable.
   >
   > Plainly put, I love them. A They are unbelievably smooth, as in a
   very
   > expensive guitar machine. A They are adjustable in tension - as with
   a
   > traditional peg, push them in and they will be tighter, pull them
   > out, and looser. A  Whether in a tight or loose setting, they are
   > smooth. A They never slip, never stick. A This summer, with all the
   > humidity, I had no problems with stuck or slipping pegs.... they
   > stay, it pitch, where you put them. A Speaking of tuning, they are
   > geared at 25% as compared to a peg. A For example, if one wanted to
   > tune a half step sharp, one turns the gear 4 times further than when
   > using a traditional A peg. A That makes for much more accurate
   tuning,
   > as they will not skip too sharp, as compared to a traditional peg.
   A I
   > find myself tuning more, but very much faster than before, and yes, I
   > tune sometimes while playing. A Tuning with pegheds is actually a joy
   > now, as I can tune more accurately, and much faster. A No more sore
   > fingers trying to turn stick pegs!!
   >
   > We all know what it is like to adjust to a certain pitch... we play
   > around, get it where we want, let go, and it slips with traditional
   > pegs! A Now, I have trust, so I can quickly adjust, without fear of
   > slipping; A yes, I can no adjust tuning "on the fly" while playing.
   >
   > As for weight, Dan Larson has on his web site, comparisons of the
   > weights of pegs vs. pegheds. A Different types of wood make different
   > weights in pegs. A Pegheds are , if my memory serves me correctly,
   > just 2 grams more, or so. A I cannot distinguish any difference in
   the
   > weight of the neck or instrument, and the pegheds made, in my
   > opinion, no difference whatsoever in sound, other than sounding
   > better because I can now tune more accurately, therefore sounding
   > better. A  No, the 11-course lute does have any perception to added
   weight.
   >
   > There are 2 drawbacks:
   >
   > 1. When changing a string, because the pegheds do not slip, one has
   > to un-wind the peghed to get the old string out. A  This is not a
   > problem, as the added time (perhaps 7-8 seconds) lost is nothing,
   > compared to the time saved in fast and accurate tuning.
   > 2. A For those that only want authenticity, pegheds were not used in
   > old times. A Neither was nylgut, nylon, carbon, or perhaps wound
   > strings for that matter! A Many people who saw them on my lute this
   > summer were fooled, into thinking they were ebony (they are not).
   >
   > Thanks for asking..................I would put them on all my
   > instruments, if I could afford to do so.
   >
   >
   >
   >
   > At 12:45 PM 8/16/2012, Ken Brodkey wrote:
   >> Has anyone tried the mechanical pegs made by Pegheds? I have a
   >> customer who is interested in replacing his traditional pegs with
   >> these. Any comments are much appreciated.
   >>
   >> Thanks.
   >>
   >> Ken
   >>
   >>
   >>
   >> To get on or off this list see list information at
   >> [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >
   >
   >
   > Edward Martin
   > 2817 East 2nd Street
   > Duluth, Minnesota A 55812
   > e-mail: A [3]e...@gamutstrings.com
   > voice: A [4](218) 728-1202
   > [5]http://www.facebook.com/profile.php?id60298871&ref=name
   > [6]http://www.myspace.com/edslute
   > [7]http://magnatune.com/artists/edward_martin
   >
   >
   >

   --

   A

   Bruno Cognyl-Fournier

   A

   [8]www.estavel.org

   A

   --

References

   1. mailto:miles.demps...@gmail.com
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   3. mailto:e...@gamutstrings.com
   4. tel:%28218%29%20728-1202
   5. http://www.facebook.com/profile.php?id60298871&ref=name
   6. http://www.myspace.com/edslute
   7. http://magnatune.com/artists/edward_martin
   8. http://www.estavel.org/

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