Try this:  http://www.pegheds.com/

For photos, 
see:: 
http://gamutmusic.squarespace.com/news/mechanical-pegs-now-available-at-gamut-music.html

ed




At 07:23 AM 8/17/2012, Bruno Fournier wrote:
>    and where can those pegs be bought? Being from the old school,with
>    lutes built in 1980, I haven't always followed up on the lates
>    innovations...
>
>    A
>
>    Bruno
>
>    On Fri, Aug 17, 2012 at 7:26 AM, Miles Dempster
>    <[1]miles.demps...@gmail.com> wrote:
>
>      ..now, if somebody could double the length of my left arm, it might
>      be possible to tune my theorbo diapasons on the fly!
>
>    On 2012-08-17, at 1:23 AM, Edward Martin wrote:
>    > OK, Nancy asked me to jump in, so I will.
>    >
>    > The first experience with these pegheds was on Dan Winheld's 8-course
>    > lute. A I really liked them, a lot.
>    >
>    > Then, about a year ago, I took my first plunge with these gears
>    > (pegheds). A I had them installed on my 6-course vihuela, and they
>    > immediately solved many, many problems. A First off, baroque guitars
>    > and vihuelas (probably renaissance guitars) A have problems, in that
>    > the traditional peg goes through only one hole, as opposed to two
>    > holes for a lute. A Therefore, the vihuela has a greater tendency to
>    > slip. A The pegheds remedied this problem, and I later decided, last
>    > early spring, to have them installed on my 11-course lute. A My
>    > 11-course baroque lute partner, Tom Walker, also has a lute that is
>    > an exact match to mine, and he also has pegheds. A So, I have
>    > experience with 4 instruments in pegheds, (very limited with Dan
>    > Winheld's 8-course, however). A It improved my 11-course instrument
>    > dramatically, with better tuning. A This is especially important when
>    > using gut, and all these instruments are entirely strung in gut.
>    >
>    > By the way, Tom'sa lute was just 5 days old (!!) when he received it,
>    > and we had a concert that night. A The hall filled with people, and
>    > the heat and humidity went up. A The gut strings were so stable with
>    > pegheds, that we had NO TUNING for the entire concert, with exception
>    > of tuning diapasons to a different key!! A That in itself is
>    remarkable.
>    >
>    > Plainly put, I love them. A They are unbelievably smooth, as in a
>    very
>    > expensive guitar machine. A They are adjustable in tension - as with
>    a
>    > traditional peg, push them in and they will be tighter, pull them
>    > out, and looser. A  Whether in a tight or loose setting, they are
>    > smooth. A They never slip, never stick. A This summer, with all the
>    > humidity, I had no problems with stuck or slipping pegs.... they
>    > stay, it pitch, where you put them. A Speaking of tuning, they are
>    > geared at 25% as compared to a peg. A For example, if one wanted to
>    > tune a half step sharp, one turns the gear 4 times further than when
>    > using a traditional A peg. A That makes for much more accurate
>    tuning,
>    > as they will not skip too sharp, as compared to a traditional peg.
>    A I
>    > find myself tuning more, but very much faster than before, and yes, I
>    > tune sometimes while playing. A Tuning with pegheds is actually a joy
>    > now, as I can tune more accurately, and much faster. A No more sore
>    > fingers trying to turn stick pegs!!
>    >
>    > We all know what it is like to adjust to a certain pitch... we play
>    > around, get it where we want, let go, and it slips with traditional
>    > pegs! A Now, I have trust, so I can quickly adjust, without fear of
>    > slipping; A yes, I can no adjust tuning "on the fly" while playing.
>    >
>    > As for weight, Dan Larson has on his web site, comparisons of the
>    > weights of pegs vs. pegheds. A Different types of wood make different
>    > weights in pegs. A Pegheds are , if my memory serves me correctly,
>    > just 2 grams more, or so. A I cannot distinguish any difference in
>    the
>    > weight of the neck or instrument, and the pegheds made, in my
>    > opinion, no difference whatsoever in sound, other than sounding
>    > better because I can now tune more accurately, therefore sounding
>    > better. A  No, the 11-course lute does have any perception to added
>    weight.
>    >
>    > There are 2 drawbacks:
>    >
>    > 1. When changing a string, because the pegheds do not slip, one has
>    > to un-wind the peghed to get the old string out. A  This is not a
>    > problem, as the added time (perhaps 7-8 seconds) lost is nothing,
>    > compared to the time saved in fast and accurate tuning.
>    > 2. A For those that only want authenticity, pegheds were not used in
>    > old times. A Neither was nylgut, nylon, carbon, or perhaps wound
>    > strings for that matter! A Many people who saw them on my lute this
>    > summer were fooled, into thinking they were ebony (they are not).
>    >
>    > Thanks for asking..................I would put them on all my
>    > instruments, if I could afford to do so.
>    >
>    >
>    >
>    >
>    > At 12:45 PM 8/16/2012, Ken Brodkey wrote:
>    >> Has anyone tried the mechanical pegs made by Pegheds? I have a
>    >> customer who is interested in replacing his traditional pegs with
>    >> these. Any comments are much appreciated.
>    >>
>    >> Thanks.
>    >>
>    >> Ken
>    >>
>    >>
>    >>
>    >> To get on or off this list see list information at
>    >> [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>    >
>    >
>    >
>    > Edward Martin
>    > 2817 East 2nd Street
>    > Duluth, Minnesota A 55812
>    > e-mail: A [3]e...@gamutstrings.com
>    > voice: A [4](218) 728-1202
>    > [5]http://www.facebook.com/profile.php?id60298871&ref=name
>    > [6]http://www.myspace.com/edslute
>    > [7]http://magnatune.com/artists/edward_martin
>    >
>    >
>    >
>
>    --
>
>    A
>
>    Bruno Cognyl-Fournier
>
>    A
>
>    [8]www.estavel.org
>
>    A
>
>    --
>
>References
>
>    1. mailto:miles.demps...@gmail.com
>    2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>    3. mailto:e...@gamutstrings.com
>    4. tel:%28218%29%20728-1202
>    5. http://www.facebook.com/profile.php?id60298871&ref=name
>    6. http://www.myspace.com/edslute
>    7. http://magnatune.com/artists/edward_martin
>    8. http://www.estavel.org/



Edward Martin
2817 East 2nd Street
Duluth, Minnesota  55812
e-mail:  e...@gamutstrings.com
voice:  (218) 728-1202
http://www.facebook.com/profile.php?id=1660298871&ref=name
http://www.myspace.com/edslute
http://magnatune.com/artists/edward_martin



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