Sean, how much of your Masters Of Polyphony book is for 5c?

Rob

www.robmackillop.net 

> On 20 Apr 2014, at 07:53, Sean Smith <lutesm...@mac.com> wrote:
> 
> 
> Sounds like an interesting tin of annelids. I'll look into it.
> 
> And there are those handful of pieces by Julien Belin for 5-c, too.
> 
> s
> 
> 
> On Apr 19, 2014, at 11:20 PM, Rob MacKillop wrote:
> 
>  A big subject, is what it is! It counters an argument and assumptions
>  some have made, that the Renaissance started in Italy, and then spread
>  northwards. I did an Oxford University online course on the subject,
>  and found it very interesting. Just type the term into Amazon, and see
>  what comes up.A
>  Rob
> 
>  On 20 April 2014 07:12, Sean Smith <[1]lutesm...@mac.com> wrote:
> 
>    What is this "Northern Renaissance", Rob?
>    Sean
> 
>  On Apr 19, 2014, at 11:05 PM, Rob MacKillop wrote:
>  A  Thanks for the replies. I hadn't given much thought to using a
>  quill,
>  A  seeing it as more of a 4c lute technique, but I realise I am wrong
>  in
>  A  that. Both techniques were used on the 5c. I like improvising, so
>  A  having the ability to do so over a tenor is something I'd like to
>  work
>  A  up.A
>  A  I suppose one could play Fuenllana's 5c vihuela repertoire, though
>  that
>  A  might raise a few eyebrows, perhaps even a few heckles - something
>  else
>  A  for me to enjoy :-)
>  A  But Fuenllana's approach of taking two parts from a Josquin mass
>  A  setting could be hugely fruitful. Overall, though, I imagine more
>  A  successes could be found in playing in small ensembles with other
>  A  instruments, much as I have done before. I'm also more, though not
>  A  exclusively, interested in what we might term the Northern
>  Renaissance
>  A  - plenty to look into there.A
>  A  Thanks again. I'm looking forward to getting stuck in.
>  A  Rob
>  A  --
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> References
> 
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> 
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