I'm a fan of your work, Anton. Many thanks. Helen On 3 August 2016 at 14:49, Jean-Marie Poirier <[1]jmpoiri...@wanadoo.fr> wrote:
I do agree completely too ! Best and very well done indeed, Anton ! Do keep up the good work ! Jean-Marie Poirier -------------- > Anton > > let me say that I admire your work very much. Of course playing ftom > notation is always good to be able to do and something I have taught to > the few students I have had in 40 years, however one can usually do > that on one or two sets of tunings..playing in trios and quartets with > g, a, c , and d lutes become more tricky for the average guy. your > work is fantastic and allows players to be exposed to more than just > lute repertoire. I will be retiring ftom my job in a few years and > intend on teaching lute to beginners . your material will be of great > use. > > one wish..set some medieval pieces especially the trecento stuff... > > regards > > Bruno Cognyl-Fournier > > Montreal > > Sent from Samsung Mobile > > -------- Original message -------- > > From: Anton Hoeger > > Date:2016-08-03 03:24 (GMT-05:00) > > To: List Lutelist > > Subject: [LUTE] insinuations > > > > > Hi everyone, > > > > Martin Hogson wrote: > > > > Dear Anton Hoger, > > > > Have you ever considered learning to play from figured bass? This > would save you much mundane work making these unnecessary > transcriptions/arrangements. > > > > MH > > > > Ja natuerlich! Aber was haben meine Renaissance Intabulations mit > Dimunitions mit einem figured bass zu tun? > > Das eine hat doch mit dem anderen nichts zu tun. > > Ich habe bisher nur sehr wenig Fruehbarocke Generalbassstuecke > bearbeitet. Ausserdem waeren doch genau diese Ausarbeitungen fuer den > Interpreten interessant. Als Anregung, Alternativen oder sogar als > fertige Ausfuehrun.. > > Meine 100000 downloads und Tausend Danksagungen zeigen ein anderes > Bild, als Dein ...making these unnecessary transcriptions!!! > > Bitte unterlasse doch diese Unverschaemtheiten, wenn Du keine Ahnung > hast. > > > > Anton > > > > Yes of course! But how do you bring my Renaissance Intabulations with > Dimunitions in relation with a figured bass? > > These one has nothing to do with the other one! > > On the other side I have so far only very few Earlybaroque figured > Bass edited pieces. Exactly this Arrangements may be interesting for > the interprets. As a suggestion or such ways. > > My 100000 downloads and thousand credits show a different image than > Your: ...making these unnecessary transcriptions!......... > > Please stop these insinuations, if you have no idea. > > > > > > Anton > -- > To get on or off this list see list information at > [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > -- References 1. mailto:jmpoiri...@wanadoo.fr 2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html