While we're at it - a while ago I wondered about a galliard in Vincenzo
Galilei's Tabulatura that seems like a template for Can Shee Excuse.
It's probably in the mailing list archive.
I had not received any thoughts about it but would be interested if
someone had an explanation.
Am 08.08.2018 um 10:34 schrieb stephan.olbe...@web.de:
Dear Stewart and Ron,
that rang a bell and after a quick look into my windows cloud I saw that I
arranged the piece for two lutes years ago and correctly gave both sources in
the editorial notes. I don't recall if I read about the concordance or found
out myself.
Regards
Stephan
Gesendet: Mittwoch, 08. August 2018 um 10:11 Uhr
Von: "Ron Andrico" <praelu...@hotmail.com>
An: "Lute Net" <lute@cs.dartmouth.edu>, "Stewart McCoy" <lu...@tiscali.co.uk>
Betreff: [LUTE] Re: Dowland's Courante
Congratulations, Stewart. It appears you have discovered a new
concordance. If it had been known previously, surely Peter Holman
would have mentioned the concordance in his notes to his recording An
Englishman Abroad: Consort music composed, arranged and collected by
Thomas Simpson (1582 -1628), Hyperion CDA66435, 1991. Snatches of many
other of Dowland's songs have crept into the dance tune repertory, and
your discovery adds to the pile.
RA
__________________________________________________________________
From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf
of Stewart McCoy <lu...@cs.dartmouth.edu>
Sent: Tuesday, August 7, 2018 11:39 PM
To: Lute Net
Subject: [LUTE] Dowland's Courante
This evening I had the pleasure of playing Dowland's "Were every
thought an eye" from his Pilgrimes Solace (1612). It seemed very
familiar, and then I recognised it as Dowland's Courante in Thomas
Simpson's Taffel-Consort (1621). I didn't know of this concordance.
I
can find no mention of it in Diana Poulton's book John Dowland, and
no
mention in the introduction to the Scolar Press facsimile of A
Pilgrimes Solace. Have I discovered something new, or is it already
common knowledge?
Stewart McCoy
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