Briefly - there were two editions of Ebert's book. In 1723 the account of 
Corbetta's visit ends

Every foreign musician who performed at court in Turin was given 500 Thlr. and 
Madame Royale wished to show her generosity by not withholding anything from 
Corbetta.
The rest of it occurs in the edition of 1724 and implies that Corbetta paid off 
his musicians, but after he complained Madame re-imbursed him.
His obituary in Mercure Galante specifically refers to Madame's kindness to him 
in his last years.
You need to consider all of the texts carefully before jumping to conclusions.
Monica




> On 08 May 2019 at 20:13 Ralf Mattes <r...@mh-freiburg.de> wrote:
> 
> 
>  
> Am Mittwoch, 08. Mai 2019 20:00 CEST, Monica Hall <mjlh...@cs.dartmouth.edu> 
> schrieb: 
>  
> >    The relevant passage reads as follows. Feel free to correct the
> >    translation.....
> > 
> >    Recently the world-famous guitarist, Corbetta, who taught all the
> >    Potentates of Europe, came here [to Turin] from England.  But because
> >    he had the misfortune to break a fingernail (and with old folk these
> >    grow again very slowly) it was impossible for him to present himself at
> >    the festival with his consort, however much he wanted to.  Every
> >    foreign musician who performed at court in Turin was given 500 Thlr.
> >    and Madame Royale wished to show her generosity by not withholding
> >    anything from Signor Corbetta .
> > 
> >    Corbetta complained bitterly that he had come from England with great
> >    difficulty,
> 
> In this case I'd translate "Schaden" with "expenses", but that's a detail.
>  
> >  and because he had invited people from Italy to come there
> >    [to Turin] to play in consort on his guarantee, he had to pay them
> >    afterwards out of his own pocket.
> 
> That's what I wrote - he had to pay them out of his own pocket.
> You claimed: "Corbetta didn't have to pay his musicians out of his own pocket 
> - that's just another myth."
> 
> Cheers, RalfD
> 
>  
>  
> 
> 
> 
> 
> 
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