Mr. Stuart Wheeler wrote: "I'm insulted by your remark
and I would guess that others are as well". I am one
of these others.
I would even say that M. Maleuvre may appears to many
subscribers of this list as a person of courage and
dignity. And whatever his personal belief about the
death of Virgil may be, this is largely enough to pay
him some respect.

Andre-Paul Itel


=====
Andre-Paul Itel
[EMAIL PROTECTED]
Hic tamen hanc mecum potera requiescere noctem
Fronde super viridi. Super nobis mitia poma,
Castaneae molles et pressi copia lactis;
Et jam summa procul villarum culmina fumant,
Majoresque cadunt altis de montibus umbrae.

__________________________________________________
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From: Informal <[EMAIL PROTECTED]>
Subject: food for trolls & insults (was Re: VIRGIL: Horace's Odes)
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Greetings

Leofranc Holford-Strevens asked:
        "before we leave the subject of feeding trolls: what do
        trolls eat anyway?"

Goats and people, amongst other things (according to the tales
collected by the brothers Grimm), also hobbits, rabbits, and
anything abroad by night (according to Tolkien).

On the matter of insults: I have not been insulted, so far. (Though
I did expose myself to abuse when calling Achates Anchises, the
other day.  "I could see that the sterling chap was moved: he had
raised his eyebrow almost an eighth of an inch.  "I say, old man,"
I said, "I didn't mistakenly refer to you under the name of my dear
father, did I?"  "That would appear to be the sense, or gist, of the
electronic missive you received, sir," he murmured.)

Farewell

        Informal
        GPO Box 1189,
        HOBART
        Tasmania, AUSTRALIA 7001

        http://www.informalmusic.com

        "Nil igitur mors est ad nos neque pertinet hilum,"
        ---Lucretius, De Rerum Natura, III. 830


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Subject: Re: VIRGIL: Horace's Odes
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Thanks for your delightful riposte on the troll matter.  And would you provide
your best gnomic rendering of the "usque adeone..." quote?
Count me also among the number of those not offended by the advice to Jim
O'Hara. I found the Broch work so turgid in style that it was barely readable,
and the conspiratorial interpretation of it as fanciful as the prose is heavy.
But for my own benefit, I try to remember in such disputes the words put in Sir
Thos. More's mouth in "A Man for All Seasons" --  It does not matter that  I
"believe"  it, but rather that  "I"  believe it.

Leofranc Holford-Strevens wrote:

> In message <[EMAIL PROTECTED]>, Stuart Wheeler
> <[EMAIL PROTECTED]> writes
> >Mr. hess,
>
> The use of the lower-case letter sits ill with a complaint about
> rudeness.
>
> >   I would never have thought anyone would make the statement
> >that you have just posted.   The rudeness of your message is amazingly
> >thoughtless.
>
> Dear me: well, Mr Hess must speak for himself, but I shall try to be at
> least thoughtfully rude.
>
> >   Are you suggesting that anyone who is subscribed to this list
> >who might find the ideas concerning Vergil in regard to a discussion of his
> >possible murder is a "troll."
>
> Might find them what?
>
> >    And, might I ask, what then do you consider
> >yourself in your judgmental capacity?
>
> But see below.
>
> >   I'm insulted by your remark and I
> >would guess that others are as well.
>
> If the cap fits, let them wear it.
>
> >  If you think  you're too good for the
> >rest of us,
>
> Who are 'the rest of us'?
>
> > why don't you set up a filter for the entire list?
> >
> >Quite frankly, this list is for the most part the most uninteresting one to
> >which
> >I have ever subscribed.
>
> I don't go a bundle on anti-judgementalism, but that sounds pretty much
> like a judgement to me, and not unlike an insult directed against a
> majority of the participants.
>
> >   When a little interest is sparked and something
> >begins to happen which is at least thought provoking,
>
> I take it 'thought provoking' means 'thought-provoking', not just that
> it was thought provoking by the rest of us; but then that's judgement
> number 2, not counting the comment about thoughtless rudeness.
>
> > you insult the entire
> >list
>
> Not me for a start: was there a vote to feel insulted?
>
> > by suggesting that you don't want to feed the TROLLS.   That's not funny
>
> Judgement number 3 (though I am not sure it had been meant to be funny)
>
> >and I think you should apologize.
>
> >From judgement we have moved to sentence. For my part I wish to receive
> no share in an apology for an offence not committed against me.
>
>         The merits of the issue apart, public discussion-lists aren't
> the best place for standing on injured dignity, not so much for reasons
> metiquettical as because they don't support the dignity one might wish
> to stand on; rather as the grand oratory that swayed mass audiences in
> the flesh makes one look like a nutter or worse on TV. But before we
> leave the subject of feeding trolls: what do trolls eat anyway?
>
> Leofranc Holford-Strevens
> *_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*
>
> Leofranc Holford-Strevens
> 67 St Bernard's Road                                         usque adeone
> Oxford               scire MEVM nihil est, nisi ME scire hoc sciat alter?
> OX2 6EJ
>
> tel. +44 (0)1865 552808(home)/267865(work)          fax +44 (0)1865 512237
> email: [EMAIL PROTECTED] (home)         [EMAIL PROTECTED] (work)
>
> *_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*
> -----------------------------------------------------------------------
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In message <[EMAIL PROTECTED]>, david connor
<[EMAIL PROTECTED]> writes
>Thanks for your delightful riposte on the troll matter.  And would you provide
>your best gnomic rendering of the "usque adeone..." quote?

Why, does my knowing rate so low
Unless another knows I know?

Leofranc Holford-Strevens
*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*
 
Leofranc Holford-Strevens
67 St Bernard's Road                                         usque adeone
Oxford               scire MEVM nihil est, nisi ME scire hoc sciat alter?
OX2 6EJ

tel. +44 (0)1865 552808(home)/267865(work)          fax +44 (0)1865 512237
email: [EMAIL PROTECTED] (home)         [EMAIL PROTECTED] (work)

*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*_*
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Date: Sat, 21 Oct 2000 19:25:24 -0400
From: Stuart Wheeler <[EMAIL PROTECTED]>
Subject: VIRGIL: Re: polite behavior
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In spite of the likely possibility of further abusively jocular and
condescending critique by some members of this list, I'm back one more
time.  One of the people who responded to me off-line commented,
"I am not sure how things work at the University of Richmond. But if these
propositions are acceptable as evidence, I may as well form my arguments
from Broch's novel, 'The Death of Virgil'. "

This is how things work at the University of Richmond, at least from my
point of view:

The faculty of the Department of Classical Studies at the University of
Richmond attempts to foster the study of Greek and Roman language,
literature, and culture through polite discourse with anyone who
elects to step forward with an idea which he or she thinks is
interesting and important.   We try in whatever way we can to encourage
that person to maintain his or her interest in the Classics while politely
pointing out to him or her the faults in the logic of the proferred
thinking, if that person has put forward an idea which does not appear to
us to be sound.   If said person persists in his or her argument and wants
to discuss the minutiae of what he or she opines, we are willing to work
with that person without calling that person abusive names.   If said
person begins to argue from the point of view that silence means agreement,
again we don't run him out of town on a rail.   We point out to the person,
as Mr.
O'Hara wisely did, that this is not a proper way to think, and that
if someone is silent, said silence should be respected without
conjecture as to the meaning of that silence.

I would also like to briefly comment on what we don't do at the University
of Richmond:

1. We don't abuse people whose ideas differ from our own and we don't call
people by pejorative terminology because they are irritating us.   If
further communication becomes impossible because of an unbridgeable gulf in
our discussion, we tell that person this with civilized language,
as Mr. O'Hara did.

2. We don't use the plural if we mean the singular, therefore referring to
any and all who might be interested in following ideas with which we
disagree by pejorative words, such as "trolls."


When we decide to abuse people through the use of purposely insulting
language, as happened here in perhaps a minor way, how far are we from much
more flagrant displays of academic or even social arrogance, a problem
which has caused enormous problems and even more enormous repercussions in
civilized behaviour throughout our history?

Although Mr. Maleuve perhaps acted with an overly zealous enthusiasm
in promoting his ideas, although he may have been irritating to some
of us in his style, and although at least one of us thought that he
impugned Mr. O'Hara's integrity as a scholar, I don't think the offending
gentleman deserved the harsh rejection which at least one of us heaped upon
him.   (Mr. O'Hara, for instance,  answered Maleuve's assertions with
polite language throughout the discourse.)   Nor did others of us because
of our interest in at least hearing Mr. Maleuve's opinions deserve to be
called "trolls," a term which cannot be understood as neutral in any
circumstance except among fellow trolls.

So back to Vergil.   What about that interesting thread which was
developing concerning the "Georgics" and "Eclogues"?   Or why the
"Aeneid" is an artistic product inferior to Vergil's earlier work?

Stuart Wheeler


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Date: Sun, 22 Oct 2000 11:49:21 -0400
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Stuart Wheeler's thoughtful comments on the University of Richmond's practices
in discourse and debate struck a responsive chord in me.  I believe those
comments are useful and productive in the kind of semi-anonymous give-and-take
which Mantovano encourages, and they are exceedingly important where young
people are struggling to learn.  But is there a place in the academic soul for
the fine tradition of vicious literary riposte in the tradition of Dryden and
Pope and Waugh and in the pages of the TLS? What a loss to us all if some of
that fine-tuned anger got blunted!
I suppose that as long as I'm not the one being gored I'll always take some
guarded glee in that part of  intellectual curiosity.  What do others think
about this?  Stuart Wheeler does concede that the "troll" remark was rather
minor, and its target maintained his composed and relentless politeness, but
didn't some of us take a little too much umbrage?

Stuart Wheeler wrote:

> In spite of the likely possibility of further abusively jocular and
> condescending critique by some members of this list, I'm back one more
> time.  One of the people who responded to me off-line commented,
> "I am not sure how things work at the University of Richmond. But if these
> propositions are acceptable as evidence, I may as well form my arguments
> from Broch's novel, 'The Death of Virgil'. "
>
> This is how things work at the University of Richmond, at least from my
> point of view:
>
> The faculty of the Department of Classical Studies at the University of
> Richmond attempts to foster the study of Greek and Roman language,
> literature, and culture through polite discourse with anyone who
> elects to step forward with an idea which he or she thinks is
> interesting and important.   We try in whatever way we can to encourage
> that person to maintain his or her interest in the Classics while politely
> pointing out to him or her the faults in the logic of the proferred
> thinking, if that person has put forward an idea which does not appear to
> us to be sound.   If said person persists in his or her argument and wants
> to discuss the minutiae of what he or she opines, we are willing to work
> with that person without calling that person abusive names.   If said
> person begins to argue from the point of view that silence means agreement,
> again we don't run him out of town on a rail.   We point out to the person,
> as Mr.
> O'Hara wisely did, that this is not a proper way to think, and that
> if someone is silent, said silence should be respected without
> conjecture as to the meaning of that silence.
>
> I would also like to briefly comment on what we don't do at the University
> of Richmond:
>
> 1. We don't abuse people whose ideas differ from our own and we don't call
> people by pejorative terminology because they are irritating us.   If
> further communication becomes impossible because of an unbridgeable gulf in
> our discussion, we tell that person this with civilized language,
> as Mr. O'Hara did.
>
> 2. We don't use the plural if we mean the singular, therefore referring to
> any and all who might be interested in following ideas with which we
> disagree by pejorative words, such as "trolls."
>
> When we decide to abuse people through the use of purposely insulting
> language, as happened here in perhaps a minor way, how far are we from much
> more flagrant displays of academic or even social arrogance, a problem
> which has caused enormous problems and even more enormous repercussions in
> civilized behaviour throughout our history?
>
> Although Mr. Maleuve perhaps acted with an overly zealous enthusiasm
> in promoting his ideas, although he may have been irritating to some
> of us in his style, and although at least one of us thought that he
> impugned Mr. O'Hara's integrity as a scholar, I don't think the offending
> gentleman deserved the harsh rejection which at least one of us heaped upon
> him.   (Mr. O'Hara, for instance,  answered Maleuve's assertions with
> polite language throughout the discourse.)   Nor did others of us because
> of our interest in at least hearing Mr. Maleuve's opinions deserve to be
> called "trolls," a term which cannot be understood as neutral in any
> circumstance except among fellow trolls.
>
> So back to Vergil.   What about that interesting thread which was
> developing concerning the "Georgics" and "Eclogues"?   Or why the
> "Aeneid" is an artistic product inferior to Vergil's earlier work?
>
> Stuart Wheeler
>
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Date: Sun, 22 Oct 2000 11:53:19 -0400
From: david connor <[EMAIL PROTECTED]>
Subject: Re: VIRGIL: Horace's Odes
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Many thanks to Leofranc Holford-Stevens for the rendering of "usque
adeone..."  -- A transport of delight!

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Date: Sun, 22 Oct 2000 22:27:41 +0100 (BST)
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Subject: Re:  Re : VIRGIL: Vergil's murder
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1.I've written this slowly and in stages and I see that the correspondence
has moved on! But I'd still like to say something about the paranoid style
in history and literary scholarship, meaning this as a descriptive and not
as an insulting term. I agree that the historical proposition 'Augustus
murdered V' has something of the same paranoia as 'Nixon murdered Janis
Joplin'.
2. By 'paranoia' I'd mean 'extreme suspicion of those in power and 
of people who appear respectable and friendly'. Paranoia involves
refusal to take normally accepted criteria of goodwill and honesty at
face value. It is heightened, of course, when there is genuine evidence,
as with Nixon, of genuine evildoing in high places.  (People may say
that Nixon murdered Janis J; I'd be surprised if anyone said that Calvin 
Coolidge murdered Rudolf Valentino.)  On the other hand paranoia implies
that the evildoers live in constant fear of exposure, that there is some
testimony that even they could not deny.  They strive to keep it hidden; 
we must discover it. The evildoers have kept it hidden, of course, by
further crimes, such as the murder of Virgil and Joplin, beyond those
crimes which they were at first trying to conceal. One problem with the
paranoid approach to history is that it strains credulity to believe that
the vital testimony can be recovered when a long time has
elapsed.  I'd be very reluctant to treat the historical propostion 'V was
murdered' as more plausible objectively than 'V died of cancer'.  (Another
problem with the paranoid style is that it makes one pretty impervious to
counterarguments: counterarguments seem like part of the evil plot.) 
3. Despite being deeply reluctant to believe the historical
proposition I can't help feeling some interest in the related
literary proposition that V's work itself has paranoid qualities.
After all, civil war produces paranoia - the experience of near civil war,
following defeat, in the Germany of 1919 produced a line of films (which
moved to Hollywood) with the theme of 'The Man who Solved his own Murder'
- in allegory, the 'murdered' wartime generation turns on the guilty men.
Does V's work actually belong in or near this genre, accusing Augustus
before the fact? As Damien Nelis says, one can reasonably regard Augustus
as a mass murderer.  
4. For me, some interest arises because of a challenge to something I
have always been inclined to believe, that is that work in the classical
style is what I might call limpid, the absolute reverse of paranoid. It
makes an emotionally powerful, life-affirming first impression; its final
message explains, rationalises and reinforces the same impression.
Demosthenes, say, is a classical orator: he presents his democratic values
to us immediately, believes in them completely and explains them more
powerfully the more you read him. I mention D because V would have been
aware of D's remark that the only invincible defence of democracies
against scheming monarchs is mistrust, apistia: but what would one do if
the scheming monarch had already overcome the defences of democracy,
perhaps because too many people had trusted him in his early days? D's
own eventual resort was to suicide.  If one wanted to stay alive and to
do literary work, perhaps one method would be to develop apistia into
paranoia and force the limpid classical style into new, coded, tricky
forms. 'Anti-Augustan' interpreters like Boyle have claimed to find and
read this code.  Am I prejudiced against this line of interpretation
because I insist on taking 'classical' work at face value?
5. Well, I think I have a bit more than prejudice on my side. I do have to
admit that V's work does not have a 'face value' in quite the clear sense
that D's does. Yet I think that he offers a developed form of
what I'm calling limpidity (tell me if you think that phrase is
meaningless) rather than a tricky code. In the Ecl.9 there is a fairly
plain indication that Menalcas, who represents part of V's own person, has
found his life in danger.  This is the nearest V gets to accusing Augustus
of being a threat to his life.  And yet in Geo he asks the gods, in
carefully chosen words, to allow this young man to save the Western world.
I think he means it both times: we have to construct his attitude to
Augustus out of both these conflicting elements. 
6. Another point, perhaps disjointed,  perhaps quite fanciful.  In
Aen.XII, Aeneas/Augustus is at one point near naked, at least disarmed.
Paranoia includes the idea that the evildoer can be stripped of his
pretences and finally exposed.  This should be the moment, if V is writing
of his overt hero in paranoid style, when we see him for the worthless
person that he is.  But at this point he seems to be at his best. - Martin
Hughes  
 
On Thu, 5 Oct 2000, Hans Zimmermann wrote:

> Jim O'Hara schrieb:
> 
> > >Isn't the "Vergil-murder" more the kind of "who killed JFK"-stuff?
> > >
> >
> > I believe the argument suggested is more like "Nixon killed JFK, and Robert
> > Kennedy, and Martin Luther King, and James Dean, Buddy Holly, Jimy Hendrix,
> > Janice Joplin and Jim Morrison."
> 
> don't forget John Lennon. Nixon shot him for the verse: "No shorthaired 
> yellowbellied son of tricky dicky 's gonna mother hubbard soft soap me with 
> such 
> a pocket of hope, money for dope, money for rope" (it is far away, that I 
> heared 
> this verse, maybe 25 years, so there might be some mistakes, but it sounded a 
> little bit like this)
> grusz, hansz
> 
> 
> >
> > Jim O'Hara                               James J. O'Hara
> > Professor of Classical Studies       Classical Studies Dept.
> > [EMAIL PROTECTED]                      Wesleyan University
> > 860/685-2066 (fax: 2089)                 Middletown CT 06459-0146
> > Home Page: http://www.wesleyan.edu/classics/faculty/jim.html
> >                                                  
> >
> >
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Date: Wed, 25 Oct 2000 14:29:32 +0300
From: Stuart Wheeler <[EMAIL PROTECTED]>
Subject: Re: VIRGIL: In praise of the Eclogues and Georgics
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Susan,

By clicking on the link in David's message, my computer accessed the
Belloc essay with no difficulty.   Try it again.

Stuart Wheeler


>David,
>      When I tried to get to the website you gave for the Belloc essay, I got
>a screen saying that the website did not exist.  I double checked the address
>I typed in, and it seems to be correct.
>                  Susan Mitchell
>                   Florida Atlantic Univesity
>                   [EMAIL PROTECTED]
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Date: Wed, 25 Oct 2000 06:52:29 -0500
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Subject: Re: VIRGIL: In praise of the Eclogues and Georgics
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At 07:25 PM 10/21/00 -0400, Stuart Wheeler wrote:
>So back to Vergil.   What about that interesting thread which was
>developing concerning the "Georgics" and "Eclogues"?   Or why the
>"Aeneid" is an artistic product inferior to Vergil's earlier work?

Thanks for bringing us back to the point, Stuart. 

Has anyone read Hilaire Belloc's essay on "Mowing a Field"? I happened
across it the morning Helen was telling us about her first experience of
the Eclogues, and found both very moving. The question that I still haven't
been able to answer for myself is whether Belloc's piece is moving in a
Virgilian way. 

I've scanned the essay and put it online here:

        http://virgil.org/eclogues/belloc-mowing.htm

What think ye? Looking forward to hearing what others think, I am as always

Yours faithfully,
David
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Dr. David Wilson-Okamura        (651) 696-6643         [EMAIL PROTECTED]
English Dept., Macalester College,  1600 Grand Ave., St. Paul, MN 55105
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Thank you for scanning  the Belloc essay and making it available.  It was
delightful.
----- Original Message -----
From: "David Wilson-Okamura" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, October 25, 2000 7:52 AM
Subject: Re: VIRGIL: In praise of the Eclogues and Georgics


> At 07:25 PM 10/21/00 -0400, Stuart Wheeler wrote:
> >So back to Vergil.   What about that interesting thread which was
> >developing concerning the "Georgics" and "Eclogues"?   Or why the
> >"Aeneid" is an artistic product inferior to Vergil's earlier work?
>
> Thanks for bringing us back to the point, Stuart.
>
> Has anyone read Hilaire Belloc's essay on "Mowing a Field"? I happened
> across it the morning Helen was telling us about her first experience of
> the Eclogues, and found both very moving. The question that I still
haven't
> been able to answer for myself is whether Belloc's piece is moving in a
> Virgilian way.
>
> I've scanned the essay and put it online here:
>
> http://virgil.org/eclogues/belloc-mowing.htm
>
> What think ye? Looking forward to hearing what others think, I am as
always
>
> Yours faithfully,
> David
> -----------------------------------------------------------------------
> Dr. David Wilson-Okamura        (651) 696-6643         [EMAIL PROTECTED]
> English Dept., Macalester College,  1600 Grand Ave., St. Paul, MN 55105
> -----------------------------------------------------------------------
> -----------------------------------------------------------------------
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