It's worth mentioning Vimeo Pro, 

https://vimeo.com/professionals

which is super cheap compared to self-hosting or the enterprise video providers 
but does everything most people want. You still probably need to be on Youtube 
to reach the crowds there, but you may find Vimeo is better for embeds and 
sharing, plus the pro accounts give you control over all the little things 
(junk promoted at the end etc).

-- 
  Matt Morgan
  m...@concretecomputing.com

On Tue, Oct 15, 2019, at 8:25 AM, Bryan Kennedy wrote:
> Don't mean to take this thread in a new direction, but cielo24 is a
> fantastic machine captioning tool for video (and audio).
> 
> https://cielo24.com/
> 
> Like YT and other machine learning systems, it's far from perfect, but the
> cost is pennies per hour of video and allows you to browse videos by
> machine generated keywords. It even groups text sections into estimated
> topics. You can click on these words in the transcription and jump to the
> video section.
> 
> We use it as a first pass for most videos we use online and in exhibits
> before we even do the edit. It's helpful for the team doing a rough content
> edit on interviews. The rough transcriptions are a useful starting point
> for human cleanup of the captions and translation work as well.
> 
> bk
> ----------------------------------------------------
> bryan kennedy
> director, museum technology & digital operations
> science museum of minnesota
> bkenn...@smm.org   651.221.2522
> ----------------------------------------------------
> 
> 
> On Mon, Oct 14, 2019 at 12:47 PM Matt Popke <mpo...@denverartmuseum.org>
> wrote:
> 
> > Hi Ellice,
> >
> > We have a lot of video currently hosted on YouTube at the DAM. We're still
> > using it for some purpose, but we've recently been moving away from it for
> > some purposes, as well.
> >
> > Regarding copyright: I think the biggest risk of copyright issues on
> > youtube is that it has a very large audience and automated takedown systems
> > regularly scan the content there. It's just more likely that some automated
> > system will flag a video—any video—for takedown, often incorrectly. It
> > really depends on what you're putting up there.
> >
> > The reason we're moving away from youtube for much of our content has more
> > to do with YouTube's recommendation algorithm and the decreasing amount of
> > control we have over YouTube embeds in web pages. There is currently no way
> > to reliably turn off the grid of recommendations that appears in a youtube
> > video after it has finished playing. It used to be an API feature that we
> > could decide to enable or disable depending on our use case, but lately the
> > grid just appears whether we like it or not.
> >
> > We have no control over what shows up in those recommendations, and a
> > significant amount of the content on YouTube is problematic in one way or
> > another (extremism, racism, violence, etc.). We don't want to appear to the
> > unitiated user as though we are tacitly supporting or recommending whatever
> > YouTube's algorithm decides to show when our video is done playing.
> >
> > It's different for video that is viewed on YouTube's site. Users know who
> > is running the show there. But increasingly, when embedding video content
> > on web pages we are using Vimeo because we have more control over the
> > embeds.
> >
> > Also, as YouTube continues to pursue monetization strategies that
> > privilege ads and advertisers, we anticipate service changes that would be
> > at odds with our goals as an institution. It's easier to start moving to a
> > different service now when we have time to adjust then to find ourselves
> > moving to that service in a panicked rush after changes occur. The benefit
> > of paying for a video hosting service is you know what you are getting and
> > can be more assured that, aside from possible price increases, the service
> > isn't going to pull the rug out from under you without warning.
> >
> > Matt Popke
> > Developer
> > 720.913.0126
> > mpo...@denverartmuseum.org
> >
> >
> > On 10/14/19, 07:32, "mcn-l on behalf of Ellice Engdahl" <
> > mcn-l-boun...@mcn.edu on behalf of elli...@thehenryford.org> wrote:
> >
> >     CAUTION: This email originated from outside of the organization. Do
> > not click links or open attachments unless you recognize the sender and
> > know the content is safe.
> >
> >
> >     Hello, all,
> >
> >     While we have plenty of "modern" video out on YouTube, we currently
> > host most our historic and collections-item videos (e.g. oral history video
> > clips) on a private streaming platform.  We don't use much of the
> > functionality provided by the private platform, so the question has come up
> > whether YouTube would meet our needs as a player.
> >
> >     Some questions/potential concerns that have passed through my head:
> >
> >
> >       1.  Are there potentially different copyright implications to
> > private hosting than to YouTube?  What if we made the YouTube videos
> > unlisted so we were simply using it as a player?
> >       2.  Has anyone had (or is/was concerned about having) historic video
> > challenged or taken down as in violation of YouTube's community standards?
> >
> >     Can anyone weigh in on these?  And are there other issues to
> > contemplate that I am missing?  If the people at your institution who would
> > make such decisions are not on the MCN listserv, I'd love it if you'd pass
> > this along to them-I will take any and all input, on- or off-list.
> >
> >     If you've chosen to use a private streaming service in addition to or
> > instead of YouTube, I'd be interested to know what additional value you
> > think it brings.
> >
> >     Thanks!
> >
> >     .................................................
> >     Gain Perspective. Get Inspired. Make History.
> >
> >     Ellice Engdahl, PMP
> >     Manager, Digital Collections & Content
> >     P: 313.982.6005
> >     E: elli...@thehenryford.org<mailto:elli...@thehenryford.org>
> >
> >
> > https://nam10.safelinks.protection.outlook.com/?url=www.thehenryford.org&amp;data=02%7C01%7Cmpopke%40denverartmuseum.org%7Cc04c9436d5b74f5cfbfe08d750aafee8%7Cce07caf59ef14a37b466a44073737e5f%7C0%7C0%7C637066567673071477&amp;sdata=49fqN4WWf4kCFNTxUrrtQlk6ZUJyjsM7Z8DfpbPjI1k%3D&amp;reserved=0
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> > >
> >     .................................................
> >
> >     The Henry Ford
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