Rick said it straight out:
| What's wrong with (L+R)/2 as a mono-afying strategy?
Or at the most complicated, (L*R)^.5, right? Either way, equal readings in
the two channels should produce that same value in the mono result.
I wonder if there's some way to find out with what calculation various MD
recorders short stereo to mono; for that matter, what happens mathematically
in a tabletop radio tuned to a stereo signal, when both channels are shaking
the same speaker?
How do mixing routines in sound editors calculate their results? Do they
just take the arithmetic mean of the amplitude?
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