I see you are attempting to hammer your point home! I'll read the rest
as I can Isp! :)

On Jan 4, 5:18 pm, ornamentalmind <[email protected]> wrote:
> “…It seems that you are saying "in some ways" the Japanese are not
> lacking in creativty….” – Ish
>
> “…I have already offered evidence that in the balance Japanese
> culture, even at the end of the 20th century, is a rigid culture that
> does not encourage inovation….” – Ish
>
> Yes, I do say that creativity is not a genetic trait that can be
> attributed to one culture and not another. Thus, any apparent lack of
> creativity, an innate trait, can be found elsewhere. . . the cause of
> said appearances is what I’m talking about here.
>
> Also, what you claim now to have offered evidence of differs quite a
> bit from your original declarations:
> [“they..lack creativity”  and “…originallity is almost non
> existant…”. ]
>
> However, even giving you the right to change what you mean to express,
> what you posted before and now here do not go near your original
> notions. So, I feel no need to support my disagreement with what I
> still understand your original propositions to have been, seeing
> little/no evidence supporting them. In fact, your earlier posted
> ‘evidence’ goes toward showing how creative many in Japan are. Your
> current posts do the same. What they DO show is that there is, in some
> areas, social ‘rules’ that appear to stifle creativity. This may be so
> in specific areas. It is also true most places on earth. There are
> social ‘rules’ that do not like much movement away from any given
> ‘norm’ to be found almost everywhere. This has nothing to do with the
> presence of individual creativity.
>
> On Jan 4, 8:14 am, Isparklaria <[email protected]> wrote:
>
>
>
> > Orn and all,
>
> > Having not lived in Japan, I can only form my opinion of the second
> > hand. One of my sources was a Japanese acquaintance of mine. He came
> > to the USA with his wife and children so that his children could get
> > what he considered a real education. His children were attending a
> > private school that had the goal of eventually teaching them to think
> > for them selves. He told me about the Japanese educational system. It
> > was based almost entirely on rote learning. Unfortunately much of
> > American education is now almost all rote learning. I happen to work
> > as a substitute teacher, so, at least within the schools I work in,
> > this is the case. Hideki and his wife, Yuko, also told me about
> > Japanese after school cram schools. As if six hours of rote learning
> > weren't enough, many children went for another four to six hours of
> > after school "cram school". This leaves little or no time for creative
> > activity such as authentic play (exploration).
>
> > Below is another link to an article from 2004 that backs up my
> > statement. I have not taken the time to read more than the abstract,
> > which I have pasted in after the link. I have read other articles
> > about Japan's lack of creativity and also the lack of creativity in
> > some other far eastern nations. One example of this lack of creativity
> > is that although their universities produce first-rate technicians
> > with PhD degrees, they produce few scientific innovators. How are they
> > dealing with this problem? For the most part, they are doing what they
> > always do, which is copy someone else's system that already get the
> > results, In this case it is mostly America's system. In my opinion
> > they are still afraid to improvise, to step into the unknown or even
> > attempt a seriously different permutation of their own current
> > approach. Although studying and copying the creativity developing ways
> > of others is not a total waste, to really be creative one must be
> > willing to fall flat on ones face, rather than proceed with caution.
> > This is true for developing creativity enhancing educational methods
> > also. Without his leap into the unknown, they will only be a modified
> > copy of America, and that is not being creative.
>
> >http://www.wilsoncenter.org/topics/pubs/asiarpt121.pdf
> > JUNE 2004
>
> > ABSTRACT: The Japanese government is in the midst of economic and
> > educational reforms to
> > enhance creativity and boost national competitiveness. In this report,
> > three experts explore and
> > evaluate these unprecedented measures.According to Gerald Hane, Japan
> > has already made some
> > progress in removing obstacles to entrepreneurship, allowing
> > innovators to benefit from their
> > ideas, and improving worker mobility—although ample room for
> > improvement remains. Akiko
> > Hashimoto argues that deeply embedded social hierarchies stifle the
> > creativity of Japan’s young
> > people.Youths should be brought into the reform process because
> > creativity cannot be stimulated
> > through top-down regulation, she contends. Misao Hayakawa warns that
> > Japan may go too
> > far in emphasizing choice and individualism at the expense of
> > standards. He maintains that higher
> > education has been more successful than lower education in
> > implementing reforms that are
> > meaningful and measurable.
>
> >  http://www.wilsoncenter.org/topics/pubs/asiarpt121.pdf
>
> > On Jan 3, 10:26 pm, ornamentalmind <[email protected]> wrote:
>
> > > Ish, I was sure that you had some backing for your beliefs…you often
> > > do. And, in general, I have found your posting to be rather even
> > > handed and somewhat insightful.
>
> > > This said, in this one instance, I find what I understand to be your
> > > view to be to be far from the case.
>
> > > Without belaboring the issue, I referenced your words “they..lack
> > > creativity” as being ‘in some ways’ not close to reality. I also just
> > > referenced your words about the Japanese “…originallity is almost non
> > > existant…”.  I will add directly here that such an assertion appears
> > > absurd to me.
>
> > > You replied to my using the term ‘Eastern cultures’ with “By the way,
> > > I did not say that all eastern cultures produce few creative
> > > individuals.” I agree. That is not what you said nor what I implied
> > > you said nor is it what you appear to be refuting now.
>
> > > I retain my original view and clearly say that what you have
> > > referenced in your last two posts does nothing at all to disparage
> > > this view. I invite all to read them and form their own conclusions.
>
> > > On Jan 2, 8:51 pm, Isparklaria <[email protected]> wrote:
>
> > > > Here is another highly revealing article about Japanese Culture. It is
> > > > over 16 years old but that doesn't matter, in my opinion.
>
> > > >http://www.newint.org/issue231/nail.htm
>
> > > > new internationalist
> > > > issue 231 - May 1992
>
> > > > The nail that sticks out
> > > > Conformists belong, non-conformists and ethnic minorities get hammered
> > > > in Japan.
> > > > John Charles and Peter Mallat unravel Japanese groupthink.
>
> > > > 'SHIGOTO ARIMASUKA?' pesters the tall, dark-skinned man at the railway
> > > > exit. He bows incongruously, imitating the mannerisms of the culture
> > > > he envies. 'Sir, Sir... do you have a job for me?'
>
> > > > He is an Iranian day-labourer, doing the hard, dirty jobs now scorned
> > > > by almost all Japanese. After getting one day's work he prowls
> > > > endlessly in search of the next, before bedding down for the night in
> > > > a local park. Sleeping rough is his only option since the local
> > > > flophouse was closed by the authorities. For the most part they cause
> > > > him little trouble. The indifference of the public is, he says, almost
> > > > worse.
>
> > > > He has - or had - a wife in Iran. Is she still there?.., he doesn't
> > > > know. His working conditions?.., a finger-stump is mute testimony.
> > > > Accident insurance?.., the gentleman surely jests. 'We Iranians
> > > > are...' he begins in English, but words soon escape so he switches to
> > > > Japanese. 'We are proud... but war has ruined us.' He shrugs, smiles
> > > > ruefully, and is consumed by the surging crowd.
>
> > > > The old man crouches on the granite steps, mumbling to himself and re-
> > > > fighting long forgotten battles. The salarymen weave wary circles
> > > > round his stinking nest. Nobody has spoken to him here - he says - for
> > > > 20 years. In his sad delusion he imagines that his wealthy wife drives
> > > > him out of the house each day 'to avoid gossip' and picks him up at
> > > > night. In this most group-oriented of societies even the dropouts
> > > > cling to rags of respectability. Wa means 'harmony' or 'proper place':
> > > > the executive in the office and the Little Woman minding the hearth.
> > > > The consequences of social deviance are so alarming that office
> > > > workers between jobs are sometimes forced into masquerades of leaving
> > > > home in the morning to return at the end of the working day. You see
> > > > them snoring in theatres and glumly clock-watching in coffee shops.
>
> > > > Japan is unthinkable without groups. Perhaps they developed from the
> > > > co-operative labour needed in the scattered villages of a rice-growing
> > > > culture. To this day the threat of Mura Hachibu ('rejection from the
> > > > village' or ostracism) by family, university alumnus league, company
> > > > or even golf club would be enough to bring the most determined social
> > > > deviant to heel. It can sometimes seem as if the only escape from the
> > > > demands of the group lies in madness.
>
> > > > The boy shakes his fist and menaces the train guard through the glass.
> > > > He suddenly begins to weep. Everybody on the train is desperately
> > > > playing the game of 'pay no attention'. One passenger - fluent in
> > > > English from residence abroad - feels it necessary to apologize to the
> > > > foreigner for such a wanton ruffling of the 'perfect face' of his
> > > > country. 'I am sorry,' he says. 'He is... strange. His behaviour is...
> > > > not Japanese.' Not Japanese. The words evoke the whole mentality of
> > > > group cohesion and rejection and endlessly-interlocking social nets.
>
> > > > Who are the Japanese?
> > > > Anthropologically it is
>
> ...
>
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>
> - Show quoted text -
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