Henna Rakheja

11-Jul-2013

The immaculately done stage at IHC depicted what it was meant to - a modern-day 
psychiatric ward. Catching the attention of the audience and peculiar to the 
director's style, it spoke volumes about the play that was to be witnessed 
soon. It was the time for minimalist Feisal Alkazi to revive Ken Kesey's 
classic One Flew Over the Cuckoo's Nest, adapted from the book's Hindi 
translation by Kirandeep Sharma.

The audience were in for a treat again but of a different kind. "Every play has 
to be dealt with a different approach," said Feisal sharing that he did this 
play 30 years back at IIT and felt the need to resurrect it because of his 
continuing job as a counsellor at Sanjeevani. "I have worked with schizophrenic 
people and know what it is like. I wanted to reinforce the stereotypes of 
people who are considered mad!"

Hence, the play narrates the story of a mental ward in which inmates struggle 
with their inability to face society. Until a new entrant Prabhu Prakash 
Deshpande aka Pappu mobilises other patients to challenge the draconian rules 
of the establishment and turns into a formidable enemy for Nurse Rachet, who 
wants the rules to remain untouched and the system unchallenged.

The narrative which is comic yet compelling, depicts this clash between the 
system and the rebel. But just before every scene is about to end, the director 
makes sure that it leaves behind a strong statement.

"You will have to follow the rules," says Nurse Rachet played ably by Devika 
Anand Puri who manages to arouse feelings of distaste in the audience. 
Pretending to be motherly, what she maintains instead is a vice-like grip over 
her patients while encouraging them to attack each other verbally, which in 
turn ensures that they remain closeted and unsure of their sanity.

Only Pappu (played by Jaipreet Singh) sees through her vile tricks. As the play 
progresses, he unwittingly taken on the responsibility of rehabilitating fellow 
patients and becomes their leader. In the process, he undergoes shock therapy 
as punishment but it is the weight of his obligation to the others and fear for 
his life which begins to wear down his strength.

Though the play revolves mainly around Rachet and Pappu's tussle, it also saw 
an impactful performance by Bunty (Pranay Manchanda) who stammers to 
perfection! Another actor who deserves a special mention is Gunjan Sharma aka 
Chameli Jaan, an effective replacement of character of the prostitute in the 
original work.

The rest of the adaptation retains the essence while contextualising it 
locally. For instance, Ravi Yadav who plays Bahadur and croons Bollywood songs 
of the 70s when drunk on duty, is a brilliant touch. "It is not a play around 
the protagonists but an ensemble piece which required everyone to be good," 
says Feisal, informing that the biggest challenge he faced was to find 12 good, 
male actors and then bring the entire cast together for rehearsals!

The green spotlight over the ward's window deserves a special mention since it 
helps the audience to believe in the world of illusions that the patients live 
by. It is through this window that one of the inmates escapes while his voice 
lingers on in our heads, "I will be able to survive outside!" Will he?


http://www.deccanherald.com/content/344043/sane-cuckoos-rule-stage.html

                                          

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