I'm with you on this one Bruce. I actually loved KING KONG.
Cheers,
Toochis
----- Original Message ----
From: Bruce Hershenson <[EMAIL PROTECTED]>
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, July 17, 2008 3:42:52 AM
Subject: Re: [MOPO] Bruce's Auctions
I think another good example of this was the recent King Kong. Some reviewers
had a problem with Naomi Watts defying the laws of physics by standing waving
her arms on the Empire State Building, but they had the ability to accept the
many other wacky aspects of the movie. For some reason, just that one bothered
them.
Personally, I am able to suspend disbelief quite well. All I ask is that the
movie be well paced, and that I am entertained. My own pet peeve in an action
movie or comedy is when the lead character or villain stands still for a few
minutes and gives a long explanation of why all the characters did what they
did. I never care about the explanation, because it is almost always mumbo
jumbo anyway. I much prefer Hitchcock's type of explanation, where it is simply
"something" that everyone wants, and they don't explain it at all.
Bruce
On Wed, Jul 16, 2008 at 11:04 AM, Patrick Michael Tupy <[EMAIL PROTECTED]>
wrote:
Theater of the mind...a roller coaster for the grey matter, baby.
Intellectually, sure, as a glib statement, a ventriloquist on the radio is
absurd on it's face,
but is it any more absurd than when people complain that Lois Lane can't see
that Clarke Kent is Superman with his feeble pair of glasses as
his only disguise? Fine, we can't make THAT leap but we easily accept that the
guy is able to leap tall buildings in a single bound? We all pick and
choose to accept, picture in our minds, BELIEVE what we need to in order to
accept the story or not. If you can picture Edgar Bergen with a wooden
dummy on his lap named Chuck McCarthy while listening on the radio, you're
already a 'believer.' That's the genius of great storytelling and great radio.
The ability to suspend your disbelief (or suspend your reliance on the
sensible, the practical, the empirical) is what makes all stories possible.
Some folks are less inclined to believe unless they see pictures. So movies
are easier for them but still, a suspension of disbelief is central for the
success of film stories just as for radio plays. For movies it's believing
that Welles is KANE, that Flynn is Robin Hood, that Nicholson and Morgan
Freeman are dying...suspend your disbelief and all stories are fact, and
anything is possible. And thus, by extension, the success of Religion...and
the wars fought over belief of which tales occurred, which hero's
existed...who's Obi Wan was actually wise, who's wise man is a villain, who's
'right,' who's 'wrong' and whether or not the dummy on this fellas lap is real
or was made of wood and whole cloth.
No disrespect to anyone's particular belief system, just an observation of how
the process of believing, of having faith and accepting the incredible is
absolutely central to the acceptance of most any story.
Patrick
On Jul 15, 2008, at 9:25 PM, Jeff Potokar wrote:
roger,
-do a little reading on the duo and you will know why they were so popular and
loved--even on the radio.
it was also a different time and world.. simple ways to entertain the masses.
jeff
On Jul 15, 2008, at 9:11 PM, Roger Kim wrote:
For some inexplicable reason, they had one of the most popular radio shows
during the golden age of radio. It makes no sense that they let a ventriloquist
on the radio. It's almost as bad as putting a mime on the radio. I think it's
one of the great mysteries of the universe that the show worked.
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