LOL

exactly we have had so much longer in history to make major cock ups!!!!

 

 


 

 

-----Original Message-----
From: Kirby McDaniel <ki...@movieart.net>
To: jboh...@aol.com
CC: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, 13 Jun 2010 21:06
Subject: Re: [MOPO] OT; BLIGH ME, GUVNOR


Quite right; we can always learn something from our former owners!


K.


On Jun 13, 2010, at 2:28 PM, jboh...@aol.com wrote:


 Might I point out to our colonial cousins it is Blimey! Not Bligh Me.



 


 

 

-----Original Message-----
From: Richard Halegua Comic Art <sa...@comic-art.com>
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sat, 12 Jun 2010 20:26
Subject: Re: [MOPO] OT; BLIGH ME, GUVNOR


I agree David

Bridge on the River Kwai being a good example. No happy endingthere


At 11:38 AM 6/12/2010, David Kusumoto wrote:

I have always felt that Bolt'sscreenplay in "Lawrence" is not just good, 
butspectacular.  There's a reason why it remains in the top ten listsof the 
greatest films ever made.  It is so far ahead of its timewith its ambiguous 
portrait of Lawrence that it feels timeless andundated.  In fact, the parts 
that linger on the visual majesty ofthe desert or the battle scenes sometimes 
drags down the pacing. I've always felt (and I know there is debate about 
this), that despite mylove for Gregory Peck, who won Best Actor that year, that 
Peter O'Toole'sperformance in Lawrence is simply electric and drop-dead 
perfect. And what an ending!  It disappoints many, but it is an anti-climaxthat 
is faithful to the integrity of where Lawrence's story HAD togo.  Can you 
imagine some corn-ball U.S.-tinkering happy endingtacked on to make Lawrence's 
efforts uplifting and redemptive? 

A generalization, but I think the Brits have a knack for makingwonderfully 
written films that - as I wrote last year - are masked whenthey're budgeted by 
American dollars and cast (e.g., Anthony Quinn, whowas a major star here in 
1962) to draw an American audience. Astoundingly, the country-of-origin and 
first printing of"Lawrence" is the U.S.A. like "Bridge over the RiverKwai" 
(which was cast budgeted to include William Holden) - despitebeing thoroughly 
British in tone and sensibility.  Hence myobsession with "country-of-origin" 
posters which I treat likefirst edition books regardless of less than 
attractive art.  I'mbitter that the beginning of Carol Reed's "The Third Man" 
wasbutchered by Selznick when it was released in the U.S.; the Britishversion 
is superior.  But at least in the case of the wonderfullywritten "Third Man" -- 
the country-of-origin is rightfully theU.K.


Date: Sat, 12 Jun 2010 11:57:20 -0500
From: brucehershen...@gmail.com
Subject: Re: OT; BLIGH ME, GUVNOR
To: MoPo-L@LISTSERV.AMERICAN.EDU

I think Bolt started the screenplay for The Bounty, but had a stroke andthe 
eventual film contains little of his original writing.

I imagine the movie with a screenplay by the Bolt of the early 1960s, andit 
would have been wonderful.

I first read the three novels by Charles Nordhoff and James Norman Hall(Mutiny 
on the Bounty, Men Against the Sea, and Pitcairn's Island) as ateen, and I know 
there is still a great series of movies (or an epic TVmini-series) waiting to 
be made of the entire story (only parts of whichwere addressed in the earlier 
versions).

Bruce

On Sat, Jun 12, 2010 at 8:50 AM, Kirby McDaniel<ki...@movieart.net>wrote:

He also co-wrote the script for THE BOUNTY (1984), the mutiny on theHMS Bounty 
story, which David Lean had always wantedto film, but wasnever able to get 
financed.


This film takes a fuller look at the BOUNTY epic, and is enjoyableenough, 
directed by Roger Donaldson.  But one can only imagine thattale with the Lean 
camera and editing synergy and perfectionistsensibility.  Maybe the

financiers remembered all too well the MGM experience with the Brandoversion.  
I have always liked that version.


LEAN went on to make A PASSAGE TO INDIA, a thoroughly wonderful film,in my 
opinion.  I think that'sout on BLU - RAY now.


K.


On Jun 12, 2010, at 7:49 AM, Bruce Hershenson wrote:


Robert Bolt, who wrote Lawrence, quickly followed withDoctor Zhivago,A Man for 
All Seasons(from his earlier play), andRyan's Daughter, apretty amazing string 
of wonderful screenplays.


Of course he didn't manage to include a tagline as great as "Getoff my lawn!" 
in any of them, but he did his best.


Bruce


On Sat, Jun 12, 2010 at 1:06 AM, Phil Edwards<p...@cinemarts.com>wrote:

Odd, we nearly always think of LAWRENCE in terms of itsepic scope and 
spectacular visuals, but it has one of the most literateandprecise screenplays 
of almost any film I can think of.

----- Original Message ----- 

From: Kirby McDaniel

To:MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Saturday, June 12, 2010 2:06 PM

Subject: [MOPO] OT; BLIGH ME, GUVNOR


Tony Hayward:  I am reminded of the wonderful line Claude Rains(Dryden) gets in 
LAWRENCE:


PrinceFeisal: You, I suspect, are chief architect of this compromise.What do 
you think? 

Mr. Dryden: Me,your Highness? On the whole, I wish I'd stayed in Tunbridge 
Wells. 


http://www.theonion.com/articles/massive-flow-of-bullshit-continues-to-gush-from-bp,17564/
 







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