What the hells a luddyduddy?
 

 

 

-----Original Message-----
From: Bruce Hershenson <brucehershen...@gmail.com>
To: MoPo-L <MoPo-L@LISTSERV.AMERICAN.EDU>
Sent: Mon, 16 Apr 2012 22:00
Subject: Re: [MOPO] SO RARE


I heard that was (at that time) the only known Annie Hall one-sheet, which was 
why it went so high.

Bruce

P.S. Full disclosure: Joe Burtis is a jabbernowl, a mooncalf, and a luddyduddy.


On Mon, Apr 16, 2012 at 2:52 PM, Joe Burtis <jbur...@mpagallery.com> wrote:


I, too, was at the dinner that Helmut mentioned, and clearly remember the 
consignors plainly stating they destroyed the additional copies.  The 
Christie's expert believed them who, full disclosure, is a good friend of mine. 
 I'm sure some people at Christie's believed them and others didn't.  This 
"conspiracy" is a pretty dull one.  
As far as press statements, they blanketed London with press for every one of 
their auctions, which is why wealthy novices showed up and purchased Annie Hall 
one sheets for 4,000USD.
 
 
 
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----- Original Message ----- 
  
From:   David Kusumoto 
  
To: MoPo-L@LISTSERV.AMERICAN.EDU   
  
Sent: Monday, April 16, 2012 2:51 PM
  
Subject: Re: [MOPO] SO RARE
  


  
For Christie's to be "unaware" of   other copies of "The Outlaw" is just one 
point of dispute.  Let's say you   accept Christie's statement which implies it 
"DID NOT KNOW about other copies"   as truth.  Then how you reconcile the 
portion of its statement - on its   own stationary - that says the consignors 
(Robert and Patricia League) -   destroyed a second copy?  I've been in press 
relations a long time.    Either you believe the entire statement, or none of 
it, or dismiss everything   as hype.  If you believe just part of it, it means 
you think some of it   is truth and the rest is a lie.  Either way, this 
compromises Christie's   reputation.  I agree with Adrian -   I KNOW Christie's 
was aware of additional copies.  That's why the story   was printed in the 
media.  The   best way to understand this is for you, as a dealer, to put 
yourself in   Christie's shoes, based on what you know.  Would you add in your 
official   statement - a reference that an extra copy has been "destroyed?"  
Putting   out a press statement is very unusual in this case.  But as I wrote   
before - and as Helmut correctly points out - all of this could have been   
avoided if Christie's simply said this poster was the "first ever brought to   
auction" - instead of this poster "is the only copy in existence." - d.   

  
  
  
  Date: Mon, 16 Apr 2012 06:54:52 -0400
From: jboh...@aol.com
Subject: Re:   SO RARE
To: MoPo-L@LISTSERV.AMERICAN.EDU

  
PLEASE LET ME STATE THAT I HAVE   NO AGENDA TOWARD ANYONE.

My point is that Christies should have been   fair with the Outlaw Six Sheet 
and that Christies have a few dark stories. We   all know that.

As for the Six Sheet and it's subsequent stories...many   American auction 
houses and dealers knew of the owners having several   copies...this comes down 
to pure research. And all concerned except Christies   UK knew that there were 
four copies...how could this be? Christies are   supposed to research these 
things.

Any way Helmut and the rest you   don't need this so let this be the end of 
this thread.

  


  


  
-----Original   Message-----
From: Helmut Hamm <texasmu...@web.de>
To: MoPo-L   <MoPo-L@LISTSERV.AMERICAN.EDU>
Sent: Mon, 16 Apr 2012   11:23
Subject: Re: [MOPO] SO RARE

  
Adrian,   


  
with all due respect, but your persistance on this matter is quite   obviously 
a thinly disguised way to express your personal aversion against a   certain 
former Christies consultant. I can't speak for anybody else, but   personally, 
I don't need this.
  


  
About the 'fraud': I was at the actual sale at Christie's South   Kensington, 
and I met the consignors at the time of the sale. They might have   been lying 
through their teeth, but at the time of the sale, they were VERY   convincing 
in their statement that additional copies had indeed been   destroyed, and that 
the one for sale was the only one in existence. What do   you expect an auction 
house to do, put them to a lie detector test?    Also, if I could speak to them 
and get my own impression, so could anybody   else. It's not that either the 
consignor or the consultant had been hiding in   the shadows.
  


  
For all I know, any allegation that Christie's, their consultant, or   anybody 
else aside from the consignors, had any actual KNOWLEDGE of additional   copies 
is simply not true. They could have, and maybe should have, SUSPECTED   
additional copies, but there was no way they could have actually KNOWN about   
them. 
  


  
This poster got a lot of media attention at the time of the sale, and if   
Christie's had labeled this as 'first time at auction' instead of 'only known   
copy' I seriously doubt that it would have hurt the price. Only copy or   not, 
when you see this in person, it is an amazing piece and this was the   FIRST 
TIME this poster showed up for sale. With items like this, it's usually   the 
first one that brings in the big money, and Christie's UK was the perfect   
venue for the sale. 
  


  
I've no clue who bought the first copy at Christie's, but they always   managed 
to draw a very unique crowd, including many non-collectors, so chances   are 
that the current owner is stil happy with his purchase and probably   couldn't 
care less about this discussion.
  


  
Helmut
  


  

  

  
The     point is that an auction house as you implied...should be fair. The     
consultant knew that there were four copis and yet he went ahead and     
described the first Outlaw six sheet as the only one...then three others     
arrive selling for (the last one) a third of the first ones     price.

What the first one selling amounted to was     fraud...


  
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