And I will just add to this discussion:
for my personal collection, I am looking for half sheets for the film.
The style which is signed by Amsel is, in effect, style A (although it does
not say so)
the unsigned style with the bright orange cat is style B.
If any Mopo member has either of these two half sheets, I am currently
looking for both.
Walter

On Sun, Aug 26, 2012 at 3:17 PM, Chris Quarles <chrisquar...@yahoo.com>wrote:

> Ditto!
>
>
> Sent from my iPad
>
> On Aug 26, 2012, at 3:49 PM, Posteritati <m...@posteritati.com> wrote:
>
> > rich,
> >
> > beg to differ but altman's deconstruction of marlowe is simply brilliant
> and considered so by many influential film critics. in my opinion book
> adaptations should not necessarily heed closely to the original.
> >
> > fyi,i am also a big marlowe fan and have read & loved his books.
> >
> > regards,
> > sam
> >
> > Posteritati
> > 239 Centre Street
> > New York, NY  10013
> > 212-226-2207/ Fax: 212-226-2102
> > http://www.posteritati.com/
> >
> >
> >
> >
> > On Aug 26, 2012, at 3:41 PM, Richard Halegua Posters + Comic Art wrote:
> >
> >> quick answer. Released with the original Amsel style A& B.
> >> film did poorly (because as a Raymond Chandler adaptation, the film
> sucks. more below)
> >> film was pulled & a new comedic ad campaign was designed with MAD
> artist Jack Davis.
> >> the film apparently didn't last a couple weeks in it's first release
> and it didn't get wide release either, so distribution of posters was
> minimal.
> >> it is interesting to note I have never been able to find a Pressbook
> with the original posters and Walt Reuben says there isn't one, although
> the pressbook for the re-issued campaign is very common. The international
> design is not in the pressbook.
> >> It is also interesting to note that all four styles do exist as 1sh,
> insert, hs & possibly 30x40. I have never seen 3sheets for the Amsel
> designs, although I do have the Davis & not too long ago got the
> International from Bruce's auctions. It is unusual for a film of this time
> period to have 4 different posters in those sizes mentioned.
> >>
> >>
> >> why Long Goodbye SUCKS
> >>
> >> this is really something that gets down to the basic content of the
> book and how Altman decided to translate it.
> >>
> >> #1 all Marlowe books are "first-person" stories. All scenes written
> contain Marlowe and what is described is what he sees.
> >>
> >> #2 Altman's movie making philosophy is diametrically opposed to such a
> structure. Altman's films are ensemble pieces where each character is
> equally as important as all others and even the starring actors are
> secondary concepts. Any single character standing out is anathema to
> Altman's style
> >>
> >> #3 Altman literally destroyed the Marlowe myth as a White Knight. He
> changed Marlowe from an intelligent chess player, college grad (Marlowe
> broke his nose as a football player in college), a former investigator in
> the District Attorney's office and the anti- misogynist into a bumbling
> detective who couldn't find his own shoes under his bed and then finally at
> the end of the film, a murderer who happily dances down the road after
> killing Terry Lennox in cold blood.
> >>
> >> the film should have been made as a standard vehicle without any
> attribution to Chandler. As a Marlowe movie, it's even worse than the
> Brasher Doubloon which also partially destroyed the Marlowe myth, but
> wasn't as pretentious as Altman's interpretation of Chandler's work.
> >>
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