I said ICONIC BILLBOARD !!!!

http://www.movieart.com/ben-hur-1959-20580/


Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  www.movieart.com
mobile 512 589 5112

On Jun 14, 2013, at 12:48 PM, Simon Oram <fab5fre...@btinternet.com> wrote:

> US International 1 sheets, Premiere's and B styles can have some very 
> imaginative art, posters that spring to mind are: Billy Jack; Get Carter 
> (Hammersveld);Way Out (1967) and the Otnes' poster for A Fistful of Dollars.
> Some very nice US 1 Sheets with artistic license: No Way Out; Fargo; Naked 
> Lunch and Sullivan's Travels the one sheet that has Lake's face done in brush 
> strokes by art director Mauric Kallis was so ahead of it's time.
> 
> Simon
> Sent from my BlackBerry® wireless device
> From: Richard C Evans <evan...@mac.com>
> Sender: MoPo List <mopo-l@LISTSERV.AMERICAN.EDU>
> Date: Fri, 14 Jun 2013 17:54:16 +0100
> To: <MoPo-L@LISTSERV.AMERICAN.EDU>
> ReplyTo: evan...@mac.com
> Subject: Re: [MOPO] ICONIC BILLBOARD
> 
> My impression is that generally speaking French poster art tended to be more 
> creative/looser.
> 
> Good examples that spring to mind are Les Diaboliques and Lift To The 
> Scaffold. Think it rarer in US posters that you get something similarly more 
> abstract or impressionistic like the On The Beach style B.
> 
> Also Bass' work obviously, but not exactly popular with the studios.
> 
> Also benefit from choosing to stick with stone litho far longer, when using 
> offset was an option long available, and used alongside stone litho.
> 
> Not sure exactly what the reasons were for this, perhaps scale of USA made a 
> greater case for offset. 
> 
> French printers perhaps didn't invest in upgrading the presses.
> 
> But imagine that if literal (photographically accurate) likenesses were more 
> of a priority in France, stone litho would have died out earlier.
> 
> May be wrong, but that's my impression.
> 
> Though the French weren't as far out there as the Poles.
> 
> 
> 
> 
> Sent from my iPhone
> 
> On 14 Jun 2013, at 08:28, filip de volder <runbuffy...@hotmail.com> wrote:
> 
>> Hi Kirby , since there were tens of thousands of different posters made 
>> since the beginning of movie posters there's of course a lot of french ones 
>> that look wrong for sure , but since the topic was on what posters look 
>> really right  french artists soubie and mascii made a lot of wonderful 
>> créations 
>>  
>> Date: Thu, 13 Jun 2013 11:30:13 -0500
>> From: ki...@movieart.net
>> Subject: Re: [MOPO] ICONIC BILLBOARD
>> To: MoPo-L@LISTSERV.AMERICAN.EDU
>> 
>> Filip et al,
>> 
>> I have to say that there are lots of French posters that look really, really 
>> wrong as well.  
>> The Italians are the best at this, and they get it wrong, too.  
>> 
>> I think a blind test of illustrations of stars lifted from posters would 
>> reveal that we often accept
>> that an image is so and so because the poster tells us it is so and so.
>> 
>> Other than the economics of the issue, one of the reasons that I'm sure the 
>> studios were happy to move
>> to offset is that they could use photographs of the stars as well as art.  
>> Photographs would insure a
>> higher recognition factor I think.
>> 
>> Kirby McDaniel
>> MovieArt Original Film Posters
>> P.O. Box 4419
>> Austin TX 78765-4419
>> 512 479 6680  www.movieart.com
>> mobile 512 589 5112
>> 
>> On Jun 13, 2013, at 10:32 AM, filip de volder <runbuffy...@hotmail.com> 
>> wrote:
>> 
>> as for french posters , there's really a lot  of them that were done by 
>> great artists and  look really right (though the french Niagara also looks 
>> terribly wrong ) french artists soubie and mascii were really top !   filip
>>  
>> > Date: Thu, 13 Jun 2013 16:44:08 +0200
>> > From: texasmu...@web.de
>> > Subject: Re: [MOPO] ICONIC BILLBOARD
>> > To: MoPo-L@LISTSERV.AMERICAN.EDU
>> > 
>> > The first poster that comes to my mind is the french LE MEPRIS:
>> > 
>> > http://www.filmposter.net/movieposters/poster/movie/original/le-mepris-contempt-3/
>> > 
>> > Helmut
>> > 
>> > Am 13.06.2013 um 15:43 schrieb Kirby McDaniel:
>> > 
>> > > Marilyn's posters - across here entire filmography - often to do not 
>> > > look like Marilyn. Very few of the illustrations get
>> > > it really right. Most of them are Marilyn-like. This is often the case 
>> > > with film posters. The image of Veronica Lake on THIS GUN FOR HIRE does 
>> > > not look like
>> > > Veronica Lake. Some Blonde is pictured.
>> > > 
>> > > So here's a question for the list - excepting photographs - which 
>> > > illustrations on film posters really get the image of a star -
>> > > doesn't matter which one - REALLY right?
>> > > 
>> > > I point to the Roger Souble portrait of Veronica Lake. There is art that 
>> > > really captures the look and the essence of the star's appeal.
>> > > 
>> > > K.
>> > > 
>> > > 
>> > > 
>> > > Kirby McDaniel
>> > > MovieArt Original Film Posters
>> > > P.O. Box 4419
>> > > Austin TX 78765-4419
>> > > 512 479 6680 www.movieart.com
>> > > mobile 512 589 5112
>> > > 
>> > > On Jun 13, 2013, at 7:30 AM, Zeev Drach <lobb...@rogers.com> wrote:
>> > > 
>> > >> Gorgeous poster but is it just me or does Marilyn not quite look like
>> > >> Marilyn on all posters on this title.
>> > >> 
>> > >> Zeev
>> > >> 
>> > >> 
>> > >> 
>> > >> -----Original Message-----
>> > >> From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
>> > >> McDaniel
>> > >> Sent: June 13, 2013 12:56 AM
>> > >> To: MoPo-L@LISTSERV.AMERICAN.EDU
>> > >> Subject: [MOPO] ICONIC BILLBOARD
>> > >> 
>> > >> http://www.movieart.com/niagara-1953-385/ 
>> > >> 
>> > >> Kirby McDaniel
>> > >> MovieArt Original Film Posters
>> > >> P.O. Box 4419
>> > >> Austin TX 78765-4419
>> > >> 512 479 6680 www.movieart.com
>> > >> mobile 512 589 5112
>> > >> 
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