I agree with all that has been said about the Academy Awards.but at the risk
of saying the obvious, it is really a moneymaking TV Special at its core.
That is about maximizing audience size and  desired demographics for
advertisers. The Producers of the broadcast may be more or less successful
about that during any given year, but I don't see the mandate changing.
Someday there will be Production meetings arguing about whether there should
be  5 seconds, 10 seconds or a 0 seconds cutaway to 80 year old Oscar winner
Jennifer Lawrence.

 

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Channing
Thomson
Sent: Tuesday, March 4, 2014 10:34 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] The Oscars - a slave to sentiment?

 

What's Alf?  On a more serious note, I felt the reaction to Kim Novak was
painful and cruel and left me feeling down for a couple of days.  I didn't
like the overall tone of the Awards this year.  I'd like to see a little
more focus on film history and the people that made the industry great as
well as a return to it being presented as an Academy and not a celebrity
roast.  Channing Thomson

 

On Mar 4, 2014, at 9:29 AM, Scott Burns <s...@columbus.rr.com
<mailto:s...@columbus.rr.com> > wrote:





There was a time when the Academy celebrated the magic of the movies, both
past AND present. That's clearly not the case these days. The only "salute"
to Hollywood's past was the Oz tribute-but they didn't think enough of
Garland's offspring to even bring them up on stage. Couldn't the last
surviving Munchkin, Jerry Maren make an appearance? Nothing against Pink,
but what relevance to Oz did she have? Major missed opportunity Academy!

 

It seemed to me that no one in the audience even recognized Kim Novak
(please no plastic surgery jokes). No standing ovation for this star of the
50's/60's? There's no excuse for anyone in the movie biz not having ever
seen "Vertigo" or "Picnic."

 

And no tribute to Shirley Temple? Come on. Even those members of "new
Hollywood" must have watched a few Temple films when they were growing up.
Of course my beef about classic stars goes beyond the Oscars. Entertainment
Weekly puts Phillip Seymour Hoffman on the cover when he kills himself via a
drug overdose, yet arguably the biggest star of the 1930's gets no mention
on the cover at all? She did get 2 pages inside, but I was surprised they
gave her even that much space.

 

Even when I was in my 20's and watching the Oscars, I always enjoyed seeing
the classic stars who had dropped out of the limelight. I enjoyed the
honorary Oscar presentation and even the Jean Hersholt award .now such
honors have been moved off the Oscar telecast completely.

 

Not to diss the younger generation, but the world did exist before you were
born and there are people and events worth knowing about. I work with some
people who's pop culture knowledge only reaches back as far as the "Alf" TV
show in the 1990's. Scary!!! 

 

Scott

MoPo List Owner

 

 

 

 

From: MoPo List [mailto:mopo- <mailto:l...@listserv.american.edu>
l...@listserv.american.edu] On Behalf Of Zeev Drach
Sent: Tuesday, March 04, 2014 9:47 AM
To:  <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] The Oscars - a slave to sentiment?

 

My instinctive reaction re modern "stars" is the same as yours, but after
thinking a moment you realize that for a good chunk of viewers, if not the
majority, Robert  De Niro IS an old-time star!  Anybody prior is a vaguely
familiar.  All this means is that some of us, like you yourself suggested,
are getting really old!

 

Zeev

 

 

 

From: MoPo List [ <mailto:mopo-l@LISTSERV.AMERICAN.EDU>
mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce Hershenson
Sent: March 4, 2014 8:14 AM
To:  <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] The Oscars - a slave to sentiment?

 

One thing I am certain of is that if you are a fan of the "Ellen" TV show,
then you surely liked the Oscar telecast. And if you like watching people
pat themselves and their peers on the back, you were surely in hog heaven.

I know I am getting really old, because I think the modern "stars" can't
hold a candle to the stars of the 1920s to 1960s.

I always hated those "production numbers". I would SO rather see old-time
stars, and not just given a second and then shuffled off stage.  How about
clips of classic movies that DON'T last three seconds each?

 

On Tue, Mar 4, 2014 at 6:47 AM, Tommy Barr < <mailto:tommymb...@gmail.com>
tommymb...@gmail.com> wrote:

I know it's not really about posters, but I haven't read anything here about
the Oscars, so I wondered if any others share my puzzlement over exactly
what the criteria for 'best film' is?  Apart from the big one 12 Years A
Slave  won 2 other Oscars, while Gravity won 7 awards, including best
director. Surely that must be a win on points for Gravity? Ellen joked that
either 12 Years would win or else the Academy was racist, and I suspect that
the Afro-American dimension did, in fact, contribute to the end decision.
Racism does not necessarily have to express itself as hatred, but it is not
particularly edifying to see it expressed in a patronising way either. I was
saddened to see the great actor Sidney Poitier trundled out to receive what
was, given the occasion, something like a pat on the head for his career and
being the first black actor to win an Oscar for Best Actor, and am I being
in overly critical in the Academy then having Will Smith present the Best
Film award? There is no doubt that Hollywood, like the rest of the USA, can
have its conscience tugged when it comes to the treatment of the
Afro-American community. Birth of a Nation is hardly an advert for
multi-cultural harmony, and movies like the Marx Brothers A Day At The Races
have scenes which sit uncomfortably with present day attitudes. Maybe the
Academy felt some atonement was due for the failure of  The Color Purple to
win any awards? Anyway, as a non-American I may have a jaundiced view which
is not shared by others, but I am interested in finding out what the views
of MOPO subscribers are.

 

Tommy

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