Does anyone think that London After Midnight is lost for all time or that miraculously sometime a print will turn up?
Nathalie On Thu, Jun 29, 2017 at 7:17 PM, Paul W. Hazen < 00000134c196813f-dmarc-requ...@listserv.american.edu> wrote: > I didn't see any of the paper materials outside of the few framed ones > they had on the walls but I was told almost all of the stills in the > Browning collection were in excellent condition with the majority of them > printed exclusively for Browning's review on gelatin silver double weight > with some on single matte and gloss. I'm guessing a lot of these stills > were singular and never seen before as a result. I think you can order a > catalog from Profiles (or maybe find the digital version online). Some > really unique images. > > On Jun 29, 2017, at 3:59 PM, Jeff Potokar <jpotok...@ca.rr.com> wrote: > > Congrats on the win, Paul. > > And with the cheapest still selling for $4000.00, that truly says > something about what the Browning Collection was all about. Were all the > stills of the same type (double weight) and wonderful condition? > > > > On Jun 29, 2017, at 1:14 PM, Paul W. Hazen wrote: > > I'm a Kubrick collector mostly so I won the "Lolita" stills lot. Really > only needed 2 of the 10 stills but I figure I can turn around the others > pretty easily. > > They had about 250-300 stills and other items from the Browning collection > which I think was 157 lots. Probably about 35-40 lots on Freaks alone and I > think the cheapest I saw sell for $4000. It was majority stills. They had a > satchel that held all of the stills which also went for 10k+. > > A lot of the Hurrell stills sold fairly high as well. > > Paul > > On Jun 28, 2017, at 10:41 PM, Jeff Potokar <jpotok...@ca.rr.com> wrote: > > Congrats on winning the lot you wanted, Paul. > > I'm also in So CA and need to make the effort to get to one of Profiles' > auctions. I would also really enjoy seeing some of this material in person. > > Can I ask which lot (item) you won? > > And how many pieces, in total, were offered as part of the Browning > Collection? Was everything from his estate comprised of stills? > > Jeff > > > > > On Jun 28, 2017, at 8:32 PM, Paul W. Hazen wrote: > > This was my first time in person, I've usually been on the phone as well. > There was about 20-25 people in the back room where the auction was. They > had about 10 or so phone banks set up for the phone bidders and a couple > people running the online bidding. Was all very professional and had my own > paddle and everything. They had a good dinner spread as well. > > They had a lot of the consignments in display cases including all the big > ones and the people that worked there were really friendly and answered all > of my questions. I didn't see too much of the paper materials displayed, > mostly just the props, but it was pretty cool seeing some of them close up. > > It's definitely an interesting experience and I wouldn't hesitate to sit > it in on another one. > > The auction did go a lot longer than I anticipated (I was only there for > one lot in particular - which I won) but it was no fault of their own, they > just had a ton of bids. There were some guys that were there for almost 12 > hours when I left after 4 hours. > > Paul > > On Jun 28, 2017, at 7:51 PM, S Yafet <sya...@gmail.com> wrote: > > I guess the provenance was almost impossible to pass up. Did manage to > get a Browning Dracula still so I don't feel too bad about London After > Midnight. > > What's it like at their auctions? I've always done the phone. > > Nathalie > > On Wed, Jun 28, 2017 at 10:37 PM, Paul W. Hazen <phazenme...@aol.com> > wrote: > >> I was in the room during the Profiles Browning bidding session and was >> truly amazed at some of the prices the Browning stills were getting >> especially the Freaks stills which seem to be have been bought primarily by >> the same two phone bidders. Profiles did a great job on that acquisition >> and auction and I'm looking forward to the Debbie Reynolds auction in >> September. >> >> Paul >> >> On Jun 28, 2017, at 7:26 PM, S Yafet <sya...@gmail.com> wrote: >> >> Wow! Naively, I thought it would be great to have something of Tod >> Browning's from London After Midnight. Then, I realized that the four >> stills I liked the best were climbing higher and higher. Wound up at 18K. >> My phone bidder helper guy told me I could keep one and sell the other >> three. Well, no guarantees on something like that but I can't say I >> wasn't seriously tempted. (I thought maybe I'd worry about the money later. >> >> Nathalie >> >> On Wed, Jun 28, 2017 at 3:18 PM, Scott Burns <sbu...@columbus.rr.com> >> wrote: >> >>> Wish I had cash like this laying around…(guess I’ll just stay with >>> collecting paper). >>> >>> >>> >>> A complete R2D2 just sold for $2.3 million at the Profiles in History >>> movie memorabilia auction. Not being a prop collector, I wonder is this >>> price record setting? >>> >>> >>> >>> From the catalog: >>> >>> *1298. Complete “R2-D2” unit assembled from original components spanning >>> the original **Star Wars** trilogy and **Episodes I & II**.* (TCF, 1977 >>> - 2002) A complete film used R2 unit is not known to be in the public >>> domain – this R2-D2 offering represents the pinnacle of the *Star Wars* >>> collecting universe. For the productions following *Star Wars: A New >>> Hope*, to save time in meeting production deadlines, R2 components were >>> reused from the previous *Star Wars* films. As filming progressed, R2 >>> units were upgraded and refurbished, with outdated components being >>> retired. This process has been confirmed by numerous crewmembers who worked >>> on the *Star Wars* film franchise. This R2-D2, constructed of aluminum, >>> steel and fiberglass elements, measuring 43 in. tall x 29.5 in. wide x 20 >>> in. deep (in current pose), was put together over many years by sourcing >>> original components and assembling them as a complete R2-D2. The dome was >>> one of the few hero aluminum domes made for R2 actor Kenny Baker in the >>> first film (*A New Hope, *1977) and is the only one known in the public >>> domain. It was used throughout the original trilogy as well as *Episode >>> I* and can be screen matched by the fiber optic array to scenes in *Return >>> of the Jedi* and *Episode I*. It features a handle to articulate the >>> front eye from inside the unit by Kenny Baker. The metal “greeblies” (fine >>> details added to make the device appear more complex) inserted into the >>> front and rear of the body, and those on the feet, were made for *A New >>> Hope* and used on R2 units throughout the original trilogy. The left >>> and right legs were made for *Empire Strikes Back* and were acquired as >>> complete items. One leg retains the *Empire* paint scheme and the other >>> from *Jedi*. The middle and left foot were used on an original trilogy >>> R2 and were used as the master pattern for the feet created for *Episode >>> I*. The right foot is production made for *Episode I* but not used. The >>> small opening hatch on the back of the body was used in *Episode II*. >>> The barrel of the body was made for *Episode I* and it was subsequently >>> painted and detailed for this R2 unit. Given the ad hoc nature of >>> production practices, any “complete” existing R2-D2 units from the first >>> trilogy (in studio hands) would be a compilation very similar to this R2-D2 >>> unit offered here. No internal mechanics or workings are present. Not >>> merely a prop, costume piece or filming miniature, R2-D2 is a major, >>> beloved *character *in the *Star Wars* universe. Without question, this >>> is the finest piece ever offered from this incredible franchise. >>> >>> One of the most instantly recognizable pieces of pop culture in >>> existence. >>> >>> >>> >>> ------------------------------ >>> >>> To unsubscribe from the MoPo-L list, click the following link: >>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&A=1 >>> >> >> >> ------------------------------ >> >> To unsubscribe from the MoPo-L list, click the following link: >> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&A=1 >> >> > > ------------------------------ > > To unsubscribe from the MoPo-L list, click the following link: > https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&A=1 > > > > > ------------------------------ > > To unsubscribe from the MoPo-L list, click the following link: > https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&A=1 > Visit the MoPo Mailing List Web Site at www.filmfan.com ___________________________________________________________________ How to UNSUBSCRIBE from the MoPo Mailing List Send a message addressed to: lists...@listserv.american.edu In the BODY of your message type: SIGNOFF MOPO-L The author of this message is solely responsible for its content.
