Mel,
And compare to what?
Kirby

> On Jan 22, 2018, at 10:43 AM, Tom Martin 
> <[email protected]> wrote:
> 
> On 2018-01-22 11:07, Kirby McDaniel wrote:
>> Mel,
>> What do you mean, a "cinema movie?"
>> Kirby McDaniel
>>> On Jan 22, 2018, at 8:29 AM, MoviePoster Collectors
>>> <[email protected]> wrote:
>> https://www.nytimes.com/2018/01/18/movies/long-before-imax-the-curious-tale-of-cinerama.html
>>> [1]
>>> So, if you've seen a Cinema movie, how does it compare?
>>> --
>>> Mel S. Hutson
>>> Charlotte, NC USA
> I think the only diference wa the cinerama used three projectostr on a ibbon 
> screen so they convergedona screen made ofstrips..paulallen has one inseattle 
> that was built frm proectors fund inperu by Jaohn harvy ofOHIO..andthe had 
> one in Dayton OHIO the new neon theter,,i never got to se it..
> 
> but i did see  the various formats like cimema scope and panovisionhad a 
> anamorphic lens and i have one for my scope 16mmprints what they did was 
> squeeeze the imgae smaller formati so whenyou project it the lens unsquesse 
> the image...and widens it..hat why is wider and skinny from top to 
> bottom..the imax is   orwas done witha larger film neg andthe film was much 
> larger..unless now its digital...iam notsure...all i know is the last film a 
> i saw -starwars..the sund is too inyourface with loots ofsubsonic and mostly 
> explosions..theimage stilldoed notmatch carbonarc ora ibtech print inmy 
> opinion
> 
> inthe cinemascp and vistavison days they used a curved screen whic awas 
> beautifuland the curtais nwould be kind close andthen would open up to unveil 
> a great image..itwas called showmanship..when[projectionist whe union 
> artistand crafts man..and the sound was analog ,,warm and tweaked just right 
> and thefilms  had great storys..and images by great cinematographers that 
> made son wonderful shots..andthe spaecaileffects whera combo of practical and 
> in thecamera..andlarge props and sets..notcgi digital....
> 
> 
> the various formats where  a wonderful epic way to show films..and it seems 
> all but gone..the carbon arc light was so strong and the screen materials 
> reflected the images verywell.....the voice of the theater speakers, jbland 
> electro voice and tube analog maps still are the best ..however the big power 
> amps of the80s like crown dc -300 and others do subs well as they are 
> transitor solid state....
> 
> the imax i belive uses a flat screen maybe a slight curve.. however seeing a 
> epic western ora huge film lketora tora tora on bigscreen was very 
> visual...even thedrive ins had serious lamphouse to project images farand 
> strong......
> 
> thier was also a format made by Douglas Trumble fr brainstorm withNatilie 
> wood where they sped up the film as it  was said to make better impressions 
> onth mind..i frgt thename but whenfilm went to digital it seemed to goawat 
> and remeber7mm also wa double the 35mm fim and they took many out ofretiement 
> toRun tarentinos films  hateful 8 as they where mostly dumped..so film is 
> getteing harder as most prins are hard toship and scartchandrun as the new 
> kids intheater just d a digital like download or dvd tpe thing ona 4 k 
> projector....which to me wa a disapointment....so all thats left is blow arc 
> bulbs wheic i met theinventor fromstrng here inToledo arthur Hatch 
> thatreplaced Carbo arc....
> 
> btw thecarbon arc was refined by Harrystrong here inToedo as he made the feed 
> system so the arce rods would be fed equal into the lamphouse inlke1923..and 
> thastwhy strong was 65% of the world market...aln with ethiertrademark super 
> trooper follow spots they made all the us navy search lights forshis..andi 
> think the huge search lights forourdoor use...thatwhere originally for 
> millitary tospot planes in ww2////
> 
> 
> 
> 
>> www.moviepostercollectors.guide [2]: Movie Poster Collecting
>>> Reference and Showcase
>>> -------------------------
>>> To unsubscribe from the MoPo-L list, click the following link:
>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&A=1
>>> [3]
>> -------------------------
>> To unsubscribe from the MoPo-L list, click the following link:
>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&A=1
>> [4]
>> Links:
>> ------
>> [1]
>> https://www.nytimes.com/2018/01/18/movies/long-before-imax-the-curious-tale-of-cinerama.html
>> [2] http://www.moviepostercollectors.guide/
>> [3] 
>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&amp;A=1
>> [4] https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L&A=1
> 
> ----
> 
>        Visit the MoPo Mailing List Web Site at www.filmfan.com
>  ___________________________________________________________________
>             How to UNSUBSCRIBE from the MoPo Mailing List
>                                         Send a message addressed to: 
> [email protected]
>           In the BODY of your message type: SIGNOFF MOPO-L
>                                      The author of this message is solely 
> responsible for its content.

         Visit the MoPo Mailing List Web Site at www.filmfan.com
   ___________________________________________________________________
              How to UNSUBSCRIBE from the MoPo Mailing List
                                    
       Send a message addressed to: [email protected]
            In the BODY of your message type: SIGNOFF MOPO-L
                                    
    The author of this message is solely responsible for its content.

Reply via email to