David Brauer [on the position that the Ordway deal would result in its
monopoly of the big theater market]

No, it is. If you wanted to present a big theater show, where else would you
play? You'd have to deal with the Ordway.

Me:

I'm still unconvinced, but open to argument.  I'll grudgingly accept for
purposes of this argument that the Ordway deal creates a monopoly on the
'big theater show' market in the Twin Cities.  But I'm unconvinced that the
Ordway--or the proposed Twin Cities Theater Alliance--will exhibit
monopolistic practices, such as artificially inflated ticket prices or,
conversely, artificially low prices to drive perceived competitors away.

It also does not prevent development of other theaters and/or bookings of
shows there, nor does it appear to extend to other small and regional
theaters.  The TCTA will control the bookings at a total of four
theaters--certainly significant theaters--and I'll grant that this presents
an issue.  But I genuinely ask for some concrete examples as to how the
Ordway deal will hurt consumers, which is the ultimate issue confronting
allegations of monopolistic practices.

Also, couldn't a negotiated contract with the City of Minneapolis address
this issue, if the City is truly so concerned with a perceived monopoly?
Moreover, the new TCTA will be accountable to its funders, many of whom
demand diverse programming.  It's not a private entity accountable to
private shareholders and thus outside the public realm, but a public
nonprofit entity accountable to its board, and in turn accountable to the
public.  I think that has to be part of the equation in arguing it is acting
like a typical monopoly.

Finally, I need to soften my frustrated overstatement that "no theater
entity in the Twin Cities has broader direct public support and a stronger
commitment to the public good [than the Ordway]."  I obviously neglected the
Guthrie and the Children's Theater, two real gems with broad public support.

Gregory Luce
St. Paul


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