I've experimented with this using LuaJIT, which has bitwise operations. I
used a LuaJIT binding to PortAudio for real time audio output. Ivan send
you my stuff  if you like.

Regards,
Mike
On Nov 27, 2014 8:54 AM, "Victor Lazzarini" <victor.lazzar...@nuim.ie>
wrote:

> Thanks everyone for the links. Apart from an article in arXiv written by
> viznut, I had no
> further luck finding papers on the subject (the article was from 2011, so
> I thought that by
> now there would have been something somewhere, beyond the code examples and
> overviews etc.).
> ========================
> Dr Victor Lazzarini
> Dean of Arts, Celtic Studies and Philosophy,
> Maynooth University,
> Maynooth, Co Kildare, Ireland
> Tel: 00 353 7086936
> Fax: 00 353 1 7086952
>
> > On 27 Nov 2014, at 13:38, Tito Latini <tito.01b...@gmail.com> wrote:
> >
> > On Thu, Nov 27, 2014 at 09:46:13AM -0200, a...@ime.usp.br wrote:
> >> Another post from him, with more analysis stuff.
> >>
> >>
> http://countercomplex.blogspot.com.br/2011/10/some-deep-analysis-of-one-line-music.html
> >>
> >> Cheers,
> >> Antonio.
> >>
> >> Quoting Ross Bencina <rossb-li...@audiomulch.com>:
> >>
> >>> On 27/11/2014 8:35 PM, Victor Lazzarini wrote:
> >>>> Does anyone have any references for magic formulae for synthesis (I
> >>>> am not sure that this is the usual term)?
> >>>> What I mean is the type of bit manipulation that generates
> >>>> rhythmic/pitch patterns etc., built (as far as I can see)
> >>>> a little bit on an ad hoc basis, like "kt*((kt>>12|kt>>8)&63&kt>>4)???
> >>>> etc.
> >>>>
> >>>> If anyone has a suggestion of papers etc on the subject, I???d be
> >>>> grateful.
> >>>
> >>> Viznut's stuff was going on a couple of years ago:
> >>>
> >>>
> http://countercomplex.blogspot.com.au/2011/10/algorithmic-symphonies-from-one-line-of.html
> >>>
> >>> Cheers,
> >>>
> >>> Ross.
> >
> > other links here
> >
> > http://canonical.org/%7Ekragen/bytebeat/
> >
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