2008/2/23, Lauri Watts <[EMAIL PROTECTED]>:
> On Sat, Feb 23, 2008 at 9:50 AM, Leiv Hellebo <[EMAIL PROTECTED]>
> wrote:
> > It's not that big a stretch to extend this to bypass the orchestra
> > altogether and write something concerto-like in structure for a single
> > instrument such as the piano. (But I'm out of my wits here as to why the
> > label "sonata" wasn't used in stead.)
>
> Artist Intent maybe :)
>
Exaxtly. & Sonata != Concerto

I still think there's something missing in "Concerto for violin" if
we're describing a concerto for violin & orchestra. I do agree that
concertos most of the time are written for a solo instrument +
orchestra, it's more that this formal way of writing titles somehow
suggest exactness to me:
"Quartet for 2 violins, viola and cello"
"Sonata for piano"
"Concerto for violin in D major" <--this means "for violin & orchestra"?

As always, YMMV.

/symphonick

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