On 12/11/2012 01:03, Sheamus Patt wrote:

> So, I'd be happy to support this proposal, but only once we have better
> ways in MB to deal with cases like this and many others where we still
> need to associate those different "unique audio" segments to a common
> session, with common performers, venue etc., and do so in a way that
> doesn't take up even more of our time editing MB data.

I agree with Sheamus's arguments and his conclusion.

Every time, say, Naxos takes a recording and puts it on yet another 
release, it is presumably going to be normalised / equalised or 
processed in some way. Editors should only have to enter the ARs for the 
original recording session once.

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