2013/2/28 Lemire, Sebastien <m...@benji99.ca> > How about just leaving out Opera, and perhaps ballet out of this proposal > and we could have an RFC just for them without interrupting the other works > like? > On Feb 27, 2013 4:39 PM, "David Hilton" <quercus.aeter...@gmail.com> > wrote: > >> On Wed, Feb 27, 2013 at 2:29 PM, symphonick <symphon...@gmail.com> wrote: >> >>> 2013/2/27 David Gasaway <d...@gasaway.org> >>> >>>> On Wed, Feb 27, 2013 at 12:44 PM, symphonick <symphon...@gmail.com>wrote: >>>> >>>> >>>>> Yes, that was my thought too. But the idea with excerpt works was to >>>>> use it for recitals. A "real" opera recording should then only be linked >>>>> to >>>>> the "original" works. But now I wonder how this will work in practice? And >>>>> what about compilations? I'm open for suggestions on how to rewrite that >>>>> part... >>>>> >>>> >>>> I'm not sure what "original works" means in this context. If you mean >>>> that opera releases will have only partial-recording-of-act ARs even when >>>> excerpt works are available, that does indeed pose problems when >>>> compilation releases share recordings with full-opera releases. >>>> >>>> >>> Yes, that was what I meant. I don't know what's worse, that you can't >>> use excerpt works or that you should be forced to use them. Or should we >>> just say nothing about it, opera will be a complete mess anyway? :-( >>> >> >> Subdividing opera is a big problem. Even when numbers are split, the >> name of the number is just some part of the first line. At worst, you only >> have demarcation between acts. The only real solution would be to cluster >> some recordings and saying 'these combined recordings comprise a >> performance of this work'. >> > I agree, I think this RFC should state that Operas and ballets are outside of it's scope so that this at least can be settled.
-- Frederic Da Vitoria (davitof) Membre de l'April - « promouvoir et défendre le logiciel libre » - http://www.april.org
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