Then you may have to explain exactly what you mean with "overdubbing",
since it's used in almost every [pop] studio recording made since the
advent of multi-track tape recorders.
http://en.wikipedia.org/wiki/Overdubbing



2013/4/22 Tom Crocker <tomcrockerm...@gmail.com>

> I agree that which relationships to use in which cases is an issue to
> discuss separately. But if it would help rocknrollarchivist you could add
> 'overdub' to the list of possible name for different mixes in the usage
> guide (since it clearly falls into this category within our definition,
> regardless of what relationships it should have)
>
>
> On 21 April 2013 15:26, LordSputnik <ben.s...@gmail.com> wrote:
>
>> symphonick wrote
>> > About relationships & recordings: since we're missing a
>> performance/source
>> > level above recordings, relationships that in theory links to the source
>> > audio will be more or less inaccurate. E.g. technically a remix
>> > (mb-recording) usually isn't related to an old mix (=mb-recording), but
>> to
>> > the source audio (tracks). Close enough when we can establish an
>> original
>> > mix maybe, but what should you link to when there's both an "album
>> > version"
>> > and a "radio edit" available?
>>
>> I think this is probably a problem with the existing guidelines too - I
>> expect if there's no clear original version people just won't use the
>> relationship for those recordings.
>>
>> It may be possible to say "link to the originally released mix of the
>> performance", which should always give a recording to link to. However, if
>> the originally release mix is the remix, that could be a problem. Since
>> this
>> isn't directly related to redefining recordings (it's partly an existing
>> problem), perhaps we could solve it separately?
>>
>>
>>
>> --
>> View this message in context:
>> http://musicbrainz.1054305.n4.nabble.com/RFC-STYLE-208-New-Recordings-Guidelines-tp4651054p4651886.html
>> Sent from the MusicBrainz - Style mailing list archive at Nabble.com.
>>
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-- 

/symphonick
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