Please join us in Gijón and Brighton (both seaside towns can be reached by boat ;-):
_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_ El Proceso Como Paradigma (Process as Paradigm) LABoral Centro de Arte y Creación Industrial, Gijón, Spain Opening Friday, April 23, 2010 CURATORS: Susanne Jaschko and Lucas Evers, Amsterdam ARTISTS: Jelte van Abbema, Boredomresearch, Ralf Bäcker, Gregory Chatonsky, Adrian Cuervo, Ursula Damm, Driessens & Verstappen, Peter Flemming, Isabelle Jenniches, Roman Kirschner, Allison Kudla, Luna Maurer, Marta de Menezes, Henrik Menné, Manu Luksch and Mukul Patel, Aymeric Mansoux/ Marloes de Valk, Leo Peschta, Julius Popp, Casey Reas, RYBN.ORG, Antoine Schmitt, Ralf Schreiber, Warren Sack, Jan Peter Sonntag At this point in time, we, the global society, are experiencing a series of processes that have seemingly got out of our control while, more than even, we are equipped to observe and monitor them. Ongoing conflicts in various parts of the world, the sudden meltdown of world economy and the menaces of climate change, to name only the big headlines, are valid proof that we are deeply involved in social, ecologic and economic processes which are of such complexity that we have become aware of our limitations to manage them in their entirety, if this is at all possible. By the same token, a major shift takes place from an industrial culture based on the concept of the final product to a post-industrial, networked culture, the latter being built on the concept of global trade, production systems and service industries. Given this background, it would only seem natural that innovative contemporary art no longer holds onto the safe properties of the final object, the ultimate manifestation of a creative process, but moves to the uncertain territory of unpredictability and successive live generation of form. Artists increasingly explore the complexity, the temporal aspect, the interdependence and the self-organisation of processes. They deal with these matters almost on a scientific level, which makes their artworks become experiments and test set-ups rather than controllable systems. The exhibition Process Becomes Paradigm shows that processes are indeed becoming one of the mayor paradigms and creative strategies in contemporary art. The exhibition confronts us with art that is in continuous flux and execution, that has a life of its own, that grows, changes and decays. The artworks investigate the vague terrain between pre-programming and autonomy, between present development and randomness, thus delivering surprising insights into the nature of non-teleological processes and a novel understanding of art -- art as a form of prototyping, continuously prototyping the natural and generating the social. When Process becomes Paradigm presents the work of 25 artists or artists groups whose creations range from biological, automated to social processes or who visualise processes in real time. LABoral Centro de Arte y Creación Industrial Los Prados, 121 33394 Gijón (Asturias) Spain 24 April – 30 August 2010 http://www.laboralcentrodearte.org _-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_ BEYOND SURVEILLANCE Wednesday 28 April, 6:30pm Venue: Lighthouse, Brighton videoclub & Index on Censorship present a screening of art works developed in response to and in counteraction against surveillance technologies, with a panel of speakers discussing the consequences of and alternatives to surveillance in our daily life. Curated by Manu Luksch, the event asks what are the consequences of surveillance on our daily lives? Is surveillance provoking a climate of self-censorship? Is a society without a paternalistic infrastructure of control, such as surveillance and censorship, possible? As surveillance technologies become more ubiquitous – from CCTV to data-mining on websites to mobile phones to Google streetcar – does it not become ever more important to consider the implications and to develop creative, radical responses, counteracting and reversing acts of surveillance? Speakers: - Caspar Below – artist - Julia Farrington – Head of Arts at Index on Censorship - Manu Luksch – ambientTV.NET / artist - David Valentine – artist Lighthouse, 28 Kensington Street, Brighton 28 April 2010 6:30pm: Doors & Bar 7:00pm: Screening & Panel free entrance http://www.lighthouse.org.uk/whatson/surveillance.htm _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
