it's an interesting dynamic simon - traversing the emotional effects [+
affects;)] involved when engaging in and/or providing content 4 public
forums. this [+ ur other post regarding community] highlight important
variables involved when participating in such avenues + the "ownership" of
such reactions?

chunks,
@netwurker

On Mon, Jul 12, 2010 at 7:22 PM, Simon Biggs <s.bi...@eca.ac.uk> wrote:

> I agree Mez. I remained on some of the lists because the spam.art on them
> didn't bother me - it even entertained. Other lists I left as I found the
> work trying. But I do remember some people getting quite upset. It was the
> same with the flame-wars (before we developed more sophisticated online
> social capabilities). I have to take my share of the blame for stressing
> some people out unnecessarily.
>
> Best
>
> Simon
>
>
> Simon Biggs
> s.bi...@eca.ac.uk  si...@littlepig.org.uk
> Skype: simonbiggsuk
> http://www.littlepig.org.uk/
>
> Research Professor  edinburgh college of art
> http://www.eca.ac.uk/
> Creative Interdisciplinary Research into CoLlaborative Environments
> http://www.eca.ac.uk/circle/
> Electronic Literature as a Model of Creativity and Innovation in Practice
> http://www.elmcip.net/
> Centre for Film, Performance and Media Arts
> http://www.ed.ac.uk/schools-departments/film-performance-media-arts
>
>
> > From: mez breeze <netwur...@gmail.com>
> > Reply-To: NetBehaviour for networked distributed creativity
> > <netbehaviour@netbehaviour.org>
> > Date: Mon, 12 Jul 2010 09:08:37 +1000
> > To: NetBehaviour for networked distributed creativity
> > <netbehaviour@netbehaviour.org>
> > Subject: Re: [NetBehaviour] Invitation to join me
> >
> > ...having been 1 of the celebrated "spam artists" back in the days of
> > Integer>NN, it was a [relatively easy] option then [as it is now] 2 set
> up
> > filters/blocks in regards 2 material list users find
> > objectionable/overloading. i do agree, simon, that it might b deemed
> > arrogant to deluge ppl with mammoth data hits: i think to associate this
> > with the 7-11 list outpourings we did back in the late 90's is
> misleading.
> > the art lists we "spam"/net.artists utilized knew full-well about our art
> > practices + most encouraged it. context, content + the mechanisms of
> > exclusion should b examined here as well as allusions 2 data-deluges;)
> >
> > chunks,
> > @netwurker
> >
> > --
> > Reality Engineer>
> > Synthetic Environment Strategist>
> > Game[r + ] Theorist.
> > ::http://unhub.com/netwurker ::
> >
> >
> > On Mon, Jul 12, 2010 at 8:56 AM, Simon Biggs <s.bi...@eca.ac.uk> wrote:
> >
> >> Spammer art was a pain when we all had dial up and slow connections. It
> >> cost
> >> money as we paid for the minute (or MB). These days, for most of us,
> spam,
> >> art or not, is more an annoyance than an injury. However, there are many
> >> parts of the world who are still on capped, slow and pay per unit
> >> connections. In that context it is potentially arrogant, even injurious,
> to
> >> deluge people with data who weren't expecting it.
> >>
> >> Best
> >>
> >> Simon
> >>
> >>
> >> Simon Biggs
> >> s.bi...@eca.ac.uk  si...@littlepig.org.uk
> >> Skype: simonbiggsuk
> >> http://www.littlepig.org.uk/
> >>
> >> Research Professor  edinburgh college of art
> >> http://www.eca.ac.uk/
> >> Creative Interdisciplinary Research into CoLlaborative Environments
> >> http://www.eca.ac.uk/circle/
> >> Electronic Literature as a Model of Creativity and Innovation in
> Practice
> >> http://www.elmcip.net/
> >> Centre for Film, Performance and Media Arts
> >> http://www.ed.ac.uk/schools-departments/film-performance-media-arts
> >>
> >>
> >>> From: Helen Sloan <he...@scansite.org>
> >>> Reply-To: NetBehaviour for networked distributed creativity
> >>> <netbehaviour@netbehaviour.org>
> >>> Date: Sun, 11 Jul 2010 22:19:40 +0100
> >>> To: NetBehaviour for networked distributed creativity
> >>> <netbehaviour@netbehaviour.org>
> >>> Subject: Re: [NetBehaviour] Invitation to join me
> >>>
> >>> Dear Karens,
> >>>
> >>> I remember Integer, NN etc well and spent hours deleting their prolific
> >>> contributions to listings ­ some of which I looked at and others went
> >>> unread. It¹s true that there was a mass exodus from Syndicate during
> that
> >>> time which was a pity as it did good things ­ and it never really
> >> recovered.
> >>> Finally, I understood what was going on but felt  a little sad as well.
> >> I¹m
> >>> not up for a culture that¹s worth preserving eating itself.
> >>>
> >>> I¹m all for this activity in a way but why ( as happened in Syndicate¹s
> >>> case) do it to ourselves? There must be much more of a statement to be
> >> made
> >>> to do it in other contexts. In this respect, I really liked what Heath
> >>> Bunting and Rachel Baker et al did with supermarkets at about the same
> >> time
> >>> as these others.
> >>>
> >>> We¹re entering hard times and in my opinion we should be careful about
> >> the
> >>> way we do these kinds of interventions now.
> >>>
> >>> But hey, you can tell me that I don¹t understand and I can take it.
> Just
> >> a
> >>> thought. I look forward to hearing more from Karens but hope you don¹t
> >>> implode.
> >>>
> >>> Best
> >>> Helen
> >>> Helen Sloan
> >>> SCAN
> >>>
> >>
> > _______________________________________________
> > NetBehaviour mailing list
> > NetBehaviour@netbehaviour.org
> > http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> Edinburgh College of Art (eca) is a charity registered in Scotland, number
> SC009201
>
>
> _______________________________________________
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>



-- 
Reality Engineer>
Synthetic Environment Strategist>
Game[r + ] Theorist.
::http://unhub.com/netwurker ::
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