>For me, all these terms, including 'virtual' and 'real' are rife with
>problems based on categoricity and ideology - for example following
>someone like Lingis, I think we're inscribed, that inscription and culture
>goes all the way up and down, we're permeated, we construct (local)
>meaning the best we can, we find our way the best we can (sloughing into
>Wittgenstein or some such).

Hi Alan,

Bergson's "virtual" seems less problematic ideologically, because it 
literally, historically hasn't happened. Once it happens (if it ever 
does), it then gets codified, historicized, analyzed, categorized, 
etc. Until then, who knows how it will fit in ideologically (or what 
it even is)? This could be one argument for letting practice lead. An 
art practice finds its way in dialogue with materials that are 
themselves in dialogue with the world -- a different kind of dialogue 
than philosophy's dialogue with the world.
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