...but this is the first time anybody has ever used telecommunications to make 
art!


On 23 Apr 2012, at 17:26, xDxD.vs.xDxD wrote:

> this is the time, these are the years: everyone "inventing" words and saying 
> "the first this", "the first that"
> 
> we're losing our memories, now it can be done.
> 
> and, in the age of p2p, of ubiquitous and of anonymous, gimme a good budget 
> for communication and i will reinvent history itself!
> 
> 
> xDxD.vs.xDxD
> 
> On Mon, Apr 23, 2012 at 6:13 PM, Pall Thayer <pallt...@gmail.com> wrote:
> The description sounds a bit like the "Chaos in Action" project in 1997.
> 
> 
> On Mon, Apr 23, 2012 at 12:09 PM, helen varley jamieson 
> <he...@creative-catalyst.com> wrote:
> has anyone else had a look at this? 
> 
> i'm a bit stunned that they are describing what sounds like webcasting 
> slightly augmented by social media as "an entirely new mode of presentation" 
> ... on their web site, they even claim it as " the first artistic programme 
> created purely for live web broadcast."
> 
> where have they been for the last 15+ years i wonder???
> 
> 
> -------- Original Message --------
> Subject:      BMW Tate Live Performance Room: Pablo Bronstein's 
> Constantinople Kaleidoscope
> Date: Sun, 22 Apr 2012 12:00:11 -0400
> From: e-flux <i...@mailer.e-flux.com>
> Reply-To:     i...@mailer.e-flux.com
> To:   pa...@blindditch.org
> 
>       
> April 22, 2012
> 
> 
> 
> Tate Modern
> 
> 
>       
> 
> BMW Tate Live Performance Room:
> 
> Pablo Bronstein 
> Constantinople Kaleidoscope
> 
> Online at www.youtube.com/tate on Thursday 26 April at 20:00 BST
> 
> 
> 
> 
> 
> 
> Share this
> 
> BMW Tate Live Performance Room is a pioneering programme of live performances 
> created exclusively for online broadcast, simultaneously reaching 
> international audiences across world time zones. 
> 
> For the second performance in the BMW Tate Live Performance Room, Argentinean 
> born artist Pablo Bronstein will premiere, Constantinople Kaleidoscope, an 
> entirely new work made especially for the BMW Tate Live Performance Room. 
> Involving a group of dancers, Bronstein will create a baroque trompe l'oeil 
> stage set that exaggerates the perspective of the room with mirrored columns. 
> Bronstein uses architectural design and drawing to engage with the grandiose 
> and imperial past of the built environment and this preoccupation with form 
> frequently extends into his live work.
> 
> Audiences, who will only be able to view the performances on the internet, 
> are invited to enter the online Performance Room via www.youtube.com/tate at 
> 20.00 hrs in the UK and exactly the same moment across time zones on the 
> specified dates—16.00 hrs on the East Coast of America, 21.00 hrs in mainline 
> Europe and 23.00 hrs in Russia.
> 
> The global audience are encouraged to chat with other viewers via social 
> media channels and to put questions to the artists or curator following it 
> using Tate's social media channels—twitter.com/tate using #BMWTateLiveQ and 
> facebook.com/tategallery.
> 
> The BMW Tate Live Performance Room was inaugurated by French choreographer 
> and dancer Jérôme Bel with the work Shirtology@Tate on 22 March. Artists 
> Emily Roysdon, Harrell Fletcher and Joan Jonas will also present works for 
> the BMW Tate Live Performance Room in the coming months.
> 
> On Thursday 31 May, American artist and writer, Emily Roysdon, explores the 
> intersection of choreography and political action through a collaborative 
> performance.
> 
> Harrell Fletcher's work often takes the form of socially engaged and 
> interdisciplinary projects. On Thursday 28 June, for BMW Tate Live, he will 
> work with local amateur performers who ordinarily would not be seen by the 
> Performance Room's global audience. 
> 
> The final BMW Tate Live Performance Room in 2012 is by legendary performance 
> artist, Joan Jonas. Since the 1960s, she has been a major figure at the 
> forefront of explorations in film, new media and performance, transcending 
> genres to develop an influential practice rooted in space, movement, ritual 
> and gesture. 
> 
> This innovative format offers international audiences an opportunity to 
> experience performance works through an entirely new mode of presentation. 
> Each performance is archived and available to view online after the live 
> event.
> 
> BMW Tate Live is a four-year partnership between BMW and Tate, which focuses 
> on performance, interdisciplinary art and curating digital space. BMW Tate 
> Live: Performance Room is the inaugural strand of the partnership and 
> features five commissions in 2012.
> 
> BMW Tate Live is curated by Catherine Wood, Curator, Contemporary Art and 
> Performance, Tate, and Kathy Noble, Curator of Interdisciplinary Projects, 
> Tate, assisted by Capucine Perrot, Assistant Curator, Tate and Julia Crabtree.
> 
> 
> BMW Tate Live Performance Room
> Forthcoming performances at 20.00 hrs BST
> 26 April, BMW Tate Live Performance Room: Pablo Bronstein, Constantinople 
> Kaleidoscope
> 31 May, BMW Tate Live Performance Room: Emily Roysdon
> 28 June, BMW Tate Live Performance Room: Harrell Fletcher
> Summer date tbc, BMW Tate Live Performance Room: Joan Jonas 
> 
>  
> 
> 
>       
> 
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> -- 
> *****************************
> Pall Thayer
> artist
> http://pallthayer.dyndns.org
> *****************************
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Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk/ @SimonBiggsUK skype: 
simonbiggsuk

s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.eca.ac.uk/circle/ http://www.elmcip.net/ 
http://www.movingtargets.co.uk/

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