& let's not forget ada lovelace & charles babbage ...

On 29/07/12 1:04 PM, Simon Biggs wrote:
Perhaps they mean 1967? But that remains much later than any dawn, into the second generation of electronic computing. Realistically you would have to say the dawn was closer to 1947 - but that depends on how you define a computer. It could be considered to have dawned far earlier. This author could benefit from some texts by Zielinski, Parrikki or Huhtamo, on media archeology, in their Christmas stocking this year?

best

Simon


On 29 Jul 2012, at 11:55, Tom Keene wrote:

Perhaps I'm missing something, but "dawn of computer revolution in 1997" made me double take. The beginning of the computer evolution in 1997! Come on, the conditions which gave rise to a computer revolution go way way back - its not possible to use specific dates that mark the beginning, the world doesn't work like that, there are many strands and trajectories of technological and human histories, the formative years of the telegraph to name but one, that made it inevitable that the current conditions of this technological age would take place. But then I haven't read the book....;)
Tom



On Thu, Jul 26, 2012 at 10:35 PM, marc <marc.garr...@furtherfield.org <mailto:marc.garr...@furtherfield.org>> wrote:

    Close to the Machine: Code and the Mesmerism of Building a World from
    Scratch

    by Maria Popova

    The sociocultural relationship between humanity and technology
    has been
    the subject of equal parts dystopianism, utopianism, and layered
    reflection. But what of the actual, intimate, one-on-one relationship
    between human and machine, creator and created? That's exactly what
    software engineer Ellen Ullman explores in Close to the Machine:
    Technophilia and Its Discontents (public library) --- a
    fascinating look
    at the riveting dawn of computer revolution in 1997, those formative
    years of learning to translate the inexorable messiness of being
    human
    into elegant and organized code, examined through Ullman's
    singular lens
    of being a rare woman on this largely male-driven forefront.

    
http://www.brainpickings.org/index.php/2012/07/26/close-to-the-machine-ellen-ullman/

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s.bi...@ed.ac.uk <mailto:s.bi...@ed.ac.uk> Edinburgh College of Art, University of Edinburgh http://www.eca.ac.uk/circle/ http://www.elmcip.net/ http://www.movingtargets.co.uk/
MSc by Research in Interdisciplinary Creative Practices
http://www.ed.ac.uk/studying/postgraduate/degrees?id=656&cw_xml=details.php



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