*Francesco Hayez* (February 10 <http://en.wikipedia.org/wiki/February_10>,
1791 <http://en.wikipedia.org/wiki/1791>,
Venice<http://en.wikipedia.org/wiki/Venice>- December
21 <http://en.wikipedia.org/wiki/December_21>,
1882<http://en.wikipedia.org/wiki/1882>,
Milan <http://en.wikipedia.org/wiki/Milan>) was the leading artist of
Romanticism <http://en.wikipedia.org/wiki/Romanticism> in
mid-19th-century<http://en.wikipedia.org/wiki/19th-century>
Milan <http://en.wikipedia.org/wiki/Milan>, renowned for his grand
historical paintings, political allegories and exceptionally fine portraits.

Hayez came from a relatively poor family. His father was of French origin
while his mother, Chiara Torcella, was from
Murano<http://en.wikipedia.org/wiki/Murano>.
The child Francisco, youngest of five sons, was brought up by his mother's
sister, who had married Giovanni Binasco, a well-off shipowner and collector
of art. From childhood he showed a predisposition for drawing, so his uncle
apprenticed him to an art restorer. Later he becames a student of the
painter Francisco
Magiotto<http://en.wikipedia.org/w/index.php?title=Francisco_Magiotto&action=edit>with
whom he continued his studies for three years. He was admitted to the
painting course of the New Academy of Fine Arts in 1806, where he studied
under Teodoro 
Matteini<http://en.wikipedia.org/w/index.php?title=Teodoro_Matteini&action=edit>.
In 1809 he won a competition from the Academy of
Venice<http://en.wikipedia.org/wiki/Accademia>for one year of study at
the Accademia
di San Luca <http://en.wikipedia.org/wiki/Accademia_di_San_Luca> in Rome. He
remained in Rome until 1814, then moved to
Naples<http://en.wikipedia.org/wiki/Naples>where he was commissioned
by Joachim
Murat <http://en.wikipedia.org/wiki/Joachim_Murat> to paint a major work
depicting "Ulysses <http://en.wikipedia.org/wiki/Odysseus> at the court of
Alcinous <http://en.wikipedia.org/wiki/Alcinous>". In 1850 he was appointed
director of the Academy of
Brera<http://en.wikipedia.org/wiki/Pinacoteca_di_Brera>in
Milan <http://en.wikipedia.org/wiki/Milan>.

Assessment of the career of Hayez is complicated by the fact that he often
did not sign or date his works. Often the date indicated from the evidence
is that at which the work was acquired or sold, not of its creation.
Moreover he often painted the same compositions several times with minimal
variations, or even with no variation. His early works show the influence of
Ingres <http://en.wikipedia.org/wiki/Jean_Auguste_Dominique_Ingres>
and the Nazarene
movement <http://en.wikipedia.org/wiki/Nazarene_movement>. His later work
participates in the Classical revival.

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