Thanks Matt, Anthony, John and Kevin for your thoughts on these tunes. I will 
try the ideas you guys have suggested and I guess go with what works best for 
me.
I guess it a matter of what you are used to, when i play border pipes I have no 
problem with 'discordant' drones, ex. playing in Bm with A drones, but i am 
used to just playing mainly G and D tunes (with the occassional venture into A 
and E)on the NSP with the appropriate drones. I'll and do more of it and maybe 
it will start sounding better to me.

A question I forgot to ask though, are these 2 tunes played much?

thanks again

Derek

----- Original Message -----
From: "Matt Seattle" <theborderpi...@googlemail.com>
To: nsp@cs.dartmouth.edu
Sent: Wednesday, August 15, 2012 4:27:50 AM
Subject: [NSP] Re: small coals, and the peacock following the hen

   On Wed, Aug 15, 2012 at 12:26 AM, Anthony Robb
   <[1]anth...@robbpipes.com> wrote:


        Here is what Forster Charlton, Colin Ross and Roland Wright put
     in the
        introduction to the second edition to the NPS 1st Tune Book:
        "Small Coals and Little Money and Cuckold Come Out The Amrey are
     in an
        unusual mode for which the drones should be tuned to the notes A
     and E.
        Any drone which will not tune to either of these two notes is
     best shut
        off!"
        Personally, I agree - others don't.

   Where I disagree is in saying they are in the same mode. Small Coals is
   a straightforward A minor tune, although with no 6th (F#) it's neither
   dorian nor aeolian mode. There is a case for tuning the drones to A for
   Small Coals if you insist on the drones being concordant with the home
   key or mode of the tune. I don't personally find that an issue, and
   neither do other bagpipe traditions, where drones are what drones were
   meant to be - fixed, so that tunes in different modes sound like they
   are in different modes.
   For me, Cuckold is a mixed-mode tune with alternating A minor and C
   major strains, where A drones have the effect of masking the C major
   sections because, over A drones, these also sound like A minor. So, if
   I were an NSP player, I'd leave the drones in G for this tune, which I
   am well aware is heresy.
   [2]http://youtu.be/71KwJ11O0fI

   --

References

   1. mailto:anth...@robbpipes.com
   2. http://youtu.be/71KwJ11O0fI


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


Reply via email to