Really?  Im not sure i follow sorry.

Taking an sRGB and converting to linear is a just an inverted  gamma thing 
right?

once in linear you can do whatever you want  - and then finally view it as 
filmsRGB is you so require...


ive got 2 instances of nuke running - one in standard nuke sRGB lut and the 
other with an ACES set up - and there is no difference goign from sRGB to 
linear and back again.


in the aces set up i have an OCIO colorspace node with input set to vd10, 
output to linear - bringing me to linear space - then another OCIO colorspace 
node : input linear out put vd10 - taking me back to sRGB


i have noticed that Log toLin in aces is brighter - i prefer actually.






Neil Scholes

+44(0) 7977 456 197
www.uvfilms.co.uk






On 31 Aug 2012, at 14:26, Schneider, Abraham wrote:

> Hm, but in this way, you're not working in ACES colorspace at all!, because 
> the standard colorspace node transforms from sRGB to Nuke linear, which has 
> different chromaticities and maybe whitepoint than the ACES colorspace? But 
> how do you combine this sRGB-to-Nuke-linear footage with ACES encoded other 
> footage? 
> 
> Abraham
> 
> 
> Am 31.08.2012 um 15:28 schrieb Neil Scholes:
> 
>> Thats what i do - reading in sRGB sequence as linear 
>> 
>> plonk down a standard colorspace node setting input to sRGB output to Linear
>> 
>> do any comp work / grading
>> 
>> put down a final colorspace node setting input to Linear - output to sRGB
>> 
>> set the display LUT to RAW(sRGB) - 
>> 
>> (or use a OCIO display node with input color space set to srgb8, display 
>> device sRGB and view transform Raw.
>> 
>> 
>> 
>> 
>> Neil Scholes
>> 
>> +44(0) 7977 456 197
>> www.uvfilms.co.uk
>> 
>> 
>> 
>> 
>> 
>> 
>> On 31 Aug 2012, at 13:47, Schneider, Abraham wrote:
>> 
>>> And an additional question:
>>> 
>>> is there a way to go from the old style Nuke linear colorspace to the ACES 
>>> colorspace? Both linear of course, but at least the RGB chromaticities are 
>>> different, whitepoint as well? 
>>> 
>>> Of course, it would only be possible to go from Nuke linear to ACES without 
>>> a loss, not the other way around because of the different gammut.
>>> 
>>> Thanks, Abraham
>>> 
>>> 
>>> 
>>> Am 31.08.2012 um 11:13 schrieb Schneider, Abraham:
>>> 
>>>> Hi there!
>>>> 
>>>> I just played around with the OCIO nodes/modes in Nuke 6.3v8. I also had a 
>>>> look at the ACES workflow/config from the opencolorIO.org website. I've 
>>>> added this 'aces' config to Nuke by adding the config.ocio as the custom 
>>>> config.
>>>> 
>>>> Seems to work fine so far. But there is one thing in this whole 
>>>> setup/config that I doesn't really get: how do I use sRGB/rec709/video 
>>>> footage (stills and/or movies) in a ACES environment? Normally I'd assume 
>>>> to switch the Read node to raw and/or linear (because the Read doesn't 
>>>> support OCIO yet), add a OCIOColorSpace, set IN to something like 
>>>> sRGB/rec709/etc. and the OUT to aces, to convert the image to the ACES 
>>>> colorspace. But there is no IN setting for sRGB/rech709/etc.! I can 
>>>> convert ARRI logC, analog film scans (cineon coded), sLog, etc., but not 
>>>> 'video' or other display referred encoded material (neither in the iff 
>>>> config coming by default with Nuke nor in the aces config from 
>>>> opencolorio.org). So how am I supposed to use still images, video stock 
>>>> footage, etc. in an ACES workflow in Nuke?
>>>> 
>>>> Only way I tried it at the moment was to switch the Read to "sRGB" (or 
>>>> rec709 or gamma 2.2 etc.), add a normal Colorspace after the read that 
>>>> converts from linear to AlexaV3LogC and add a OCIOColorSpace with IN = 
>>>> 'logc' and OUT = 'aces'. Seems to work, but doesn't seem to be a clever 
>>>> way.
>>>> 
>>>> Do I miss something or is this just not supported at the moment in this 
>>>> ACES config/workflow? Using the 'spi-vfx' config in comparison, there is 
>>>> the option to set the IN to 'vd8' or 'vd10' or something like that. But 
>>>> 'spi-vfx' is not using the ACES colorspace, right?
>>>> 
>>>> Abraham
>>>> 
>>>> 
>>>> Abraham Schneider
>>>> Head of VFX pipeline / VFX Supervisor
>>>> 
>>>> 
>>>> ARRI Film & TV Services GmbH
>>>> Tuerkenstr. 89
>>>> D-80799 Muenchen / Germany
>>>> 
>>>> Phone +49 89 3809-1269
>>>> 
>>>> EMail [email protected]
>>>> www.arri.de/filmtv
>>>> ________________________________
>>>> 
>>>> 
>>>> ARRI Film & TV Services GmbH
>>>> Sitz: München Registergericht: Amtsgericht München
>>>> Handelsregisternummer: HRB 69396
>>>> Geschäftsführer: Franz Kraus, Dr. Martin Prillmann, Josef Reidinger
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