Hm, don't really get your point. Of course I linearized both footages. If I'd 
compare linear with log, the values are different. But if I linearize both with 
the correct curve and have one footage clipping at values below 5 and the other 
at 54, that's a huge quality difference to me.

Of course it would be better to test the cameras side by side at the same 
location, but I don't have a RED cam available. That's why I'm asking here if 
anyone knows if it is normal with RED to have clipping at such 'low' values 
(compared to what I'm used from Alexa).

Abraham


Am 30.04.2014 um 01:12 schrieb Adrian Baltowski:

Just remember that with all digital cameras these are arbitrary 
logarithmic-like curves applied on top of the linear data captured by the 
sensor. Currently I'm working on the Alexa footage: night shot with house on 
fire. With AlexaV3logC curve maximum linearized values of fire are around 36 
and are clipped. Just change curve to standard Cineon and THE SAME clipped 
highlights goes down to 9, with just little change of values below 1. And 
redlogfilm curve is intended to mimic cineon.
So to be fair You need to make tests side by side, with the same scene captured 
by both cameras and then compare the results.


Best


W dniu 2014-04-29 20:38:40 użytkownik Randy Little 
<[email protected]<mailto:[email protected]>> napisał:

Isnt there a pdlog 685 setting still in red? But it would have change with 
redlog and color space if it was going to change at all I suspect. (Maybe)

On Apr 29, 2014 1:07 PM, "Schneider, Abraham" 
<[email protected]<mailto:[email protected]>> wrote:
You're suggesting 'RedlogFilm' in the RED settings, right?

Doing this and using a separate colorspace to do the Log2Lin gives similar 
values than using the Read colorspace. My maximum value in the image is lower 
than 5 compared to the > 54 with an Alexa image.

Am 29.04.2014 um 18:17 schrieb Randy Little:

> What happens if you do pdlog in red settings and then use a colorspace node 
> to do loglin.  Read node loglin does weird things.  Colorspace node seems to 
> work better.
>
> On Apr 29, 2014 11:43 AM, "Neil Rögnvaldr Scholes" 
> <[email protected]<mailto:[email protected]>> wrote:
> Ha - this is interesting  i don't know the answer but i do know a good DP who 
> hates RED for exactly it inability to retain highlights.
>
>
> Neil Rögnvaldr Scholes
>
> www.neilscholes.com<http://www.neilscholes.com/>
>
> On 29/04/14 16:33, Schneider, Abraham wrote:
> Thanks!
>
> I assumed all this. Just wanted to make sure there is no mistake in doing one 
> specific way.
>
> My main question is: is it true that RED cameras can only deliver/capture 
> highlights that are way darker then what the Alexa does? So in my example, a 
> maximum value of around 4 from the RED would be more than 3 stops less than 
> the Alexa with it's value of 54 (linear floating values measured in Nuke).
>
> So the provocative question would be: is RED really that much worse than the 
> Alexa?
>
> Abraham
>
>
> Am 29.04.2014 um 17:10 schrieb Simon Björk:
>
> Some info on Red footage an it's curves:
>
> - Half Float Linear is the correct linear curve. The one that says Linear is 
> scaled/offset to be between 0-1.
> - RedLogFilm is a Cineon curve. By applying a standard log2lin operation, the 
> result is identical to Half Float Linear.
> - Both Half Float Linear and a linearized RedLogFilm will produce values 
> below zero. You can avoid this by converting to PLogLin instead, or just 
> bring up the values with a standard Add node.
> - Rendering RedlogFilm or linear EXRs from RedCineX will produce identical 
> result as importing the R3D directly in Nuke.
> - By rendering out an ACES file from RedCineX you will get a larger color 
> gammut, but you will not get any more information in the black/white point.
>
> To sum up:
>
> If the values are clipped when using Half Float Linear in Nuke, you will not 
> get any more information by applying different settings or going to a 
> different application.
>
> Best regards,
> Simon
>
>
> 2014-04-29 16:20 GMT+02:00 Schneider, Abraham 
> <[email protected]<mailto:[email protected]>>:
> Hi there!
>
> As we're more used to Alexa footage here, I just wanted to ask about RED, as 
> I have some footage here that let's me wonder about the capabilities of the 
> RED camera:
>
> I have some shots with fire, sun, lamps, etc. in my images. Shot with EPIC-X. 
> When importing them into Nuke and linearizing them, I always see that these 
> bright highlights are clipping at around a value of 3 to 4 (depending on the 
> channel).
>
> This happens, no matter how I treat the footage:
> - importing the original R3D file in Nuke and use "half float linear" as 
> gamma space and 'linear' as the Read colorspace
> - importing the original R3D file in Nuke and use "RedlogFilm" as gamma space 
> and 'cineon' (or PlogLin) as the Read colorspace
> - converting the R3D in RedCine X Pro to DPX with RedlogFilm and importing 
> with 'cineon' or 'PlogLin'
> - converting the R3D in RedCine X Pro to EXR with ACES and importing with 
> 'linear'
>
> Having similar takes shot with the Alexa as AlexaLogC, bright highlights will 
> clip at a value of 54!
>
> I don't want to start a 'war' Alexa vs. RED, but just wanted to know if this 
> really is 'normal', so the RED will not deliver higher values, or if there is 
> something wrong/strange is going on here.
>
> Thanks for your help,
>
> Abraham
>
>
> Abraham Schneider
> Head of VFX pipeline / VFX Supervisor
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