So frustrated by the “seeming” inability of major “Color” labs, Technicolor, Deluxe etc, etc - to consistently convert Sony F65/F55 originated material to a consistent “correct” DPX file to their 3rd party vendors.
Many houses insist on embedding metadata that set’s "dpx/transfer” metadata flag to sRGB or rec709 which as far as I know is completely wrong and looks wrong ? The other day we had to request GB’s of data to be repulled since the “major name” color house insisted that they normally txfer too dpx as “linear” and still flagged it as sRGB in metadata. Am I just catching up to this ? Is this a new problem in the past few years or is this my “Duh - where have you been moment” ? How are other people handling this ? Any input appreciated. Thx --- Andrew Mumford a_mumf...@mac.com 1 (310) 619 0208
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