In film terms it would be underexpose down to nothing while simultaneously exposing from
nothing up to full exposure on the incoming clip and just adding the two results together.
So use "Add" to move the whole range from 0 > negative and vice versa for the
incoming.
I think you would need to be in log space though and you would have to have
some kind of soft clip to limit the negative blacks.
In linear space though I dont see why multing down to zero and the reverse with
an add wouldnt be an equivalant but this is all untested on my part ...
---
Andrew Mumford
On Nov 10, 2016, at 02:02 AM, Adrian Baltowski <adrian...@poczta.onet.pl> wrote:
Hej
Just gamma-correct things you want to dissolve: pump up gamma (with "Gamma"
node for instance) before Dissolve - on both inputs- and invert gamma -correction after
dissolve. Values arround '2' and '1/2' will give you Final Cut Pro -like dissolve but
feel free to experiments with this values ;-)
Best
W dniu 2016-11-10 01:08:18 użytkownik Darren Coombes <darren.coom...@me.com>
napisał:
I saw a few years back (in a book) a way to make a more filmic dissolve in Nuke.
It had something to do with inverting and dissolving or something along those
lines.
Does anyone have a good setup to achieve a nicer dissolve rather than just
using a standard dissolve node?
I'm dissolving between a night shot and a day shot.
Thanks.
Daz.
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