I don't think the idea of a cultural portal is a bad one, but I have
never felt NZLive was a good realization of this idea. However I
remain unconvinced with the arguments about wasting taxpayers money
because the vast majority of 'waste' goes directly into Wellington's
local economy anyway (it's easy to understand why others feel
differently), but I do agree in the case that the money has clearly
been squandered. I'm not sure how clear it is in this case, the only
empirical evidence seems to be the graph of traffic stats.

What nobody has raised is that this outcome is might be due in no
small part to the private sector contractors who made the site lacking
the complete vision (or perhaps the $$ they were demanding) to produce
something that lived up to the concept and promise of a cultural
portal, and instead has become a basic events guide site.

Most of the issues being expressed about what NZLive should or should
not be doing are not just a case of government management
(mismanagement if you insist), but are emergent from the relationship
between the government and private sector. To a large extent,
government departments rely on the good judgment of their business and
design partners to guide them.

When agencies enter into these relationships, there is not necessarily
a clear pathway from the high level rhetoric of ministers, to the
actual administration of funding and management of projects. That's
just a simple fact of any hierarchical organization.

A lot of people arguing about this kind of spending don't realize how
much of our educational and cultural fabric is derived from this
funding, and how impoverished we would be without the various things
that are being funded. Spending money is not synonymous with wastage,
each case has to be assessed in context.

I would be hesitant to publicly lambast government and MCH, without
first knowing the details of these relationships and the lines of
responsibility. Promoting arts and culture is a part of MCH's mandate,
and whether or not NZLive achieves this, it is designed to achieve
this, which is enough to justify its existence from a funding
perspective. Looking at the documents it's clear that this project was
initiated long before EventFinder launched, so at the point of its
initiation, there would have been no such service.

The problem I have trying to process some of the arguments here, is
that apart from the graph of traffic, I don't see what the evidence is
that the website has failed to meet its objectives. Overpriced, yes.
Failure, unclear.

For what it's worth, I would rather see the NZLive money spent on arts
funding directly.

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