I'm not talking about using the high sampling rates on the LS-7. all the
recordings I made were in Mp3 mode at various microphone "zoom" settings and
turning on or off the "central", omnidirrectional mic. Using the central mic
gave great voice and sound quaity; it had a richness that the Dm-620 didn't
have. 
  


John Riehl 

-----Original Message-----
From: pc-audio-boun...@pc-audio.org [mailto:pc-audio-boun...@pc-audio.org]
On Behalf Of Dave Scrimenti
Sent: Wednesday, July 13, 2011 12:29 AM
To: PC Audio Discussion List
Subject: Re: comparison between the LS-7 and DM-620

I don't know which one you should buy, but I certainly wouldn't go for the 
ls7 for the 96/24 sampling rate.What are you going to record that you 
believe requires such a high sampling rate, especially since you'll usually 
have to downsample to 44.1/16 anyway? And are you planning to spend hundreds

or thousands on microphones and pre-amps so you'll actually notice the 
difference? I don't mean to sound harsh or sarcastic, but I don't see the 
necessity of going to 96/24 with what is essentially a consumer recorder. 
Even Neal Ewers in his podcast says he rarely uses those high rates.
----- Original Message ----- 
From: "Hamit Campos" <hamitcam...@gmail.com>
To: "'PC Audio Discussion List'" <pc-audio@pc-audio.org>
Sent: Tuesday, July 12, 2011 11:37 PM
Subject: RE: comparison between the LS-7 and DM-620


>I thought as much. The DM-620 sounded to me like a glorified DM-2 when I
> first read about it. So, at the time I said no,
> I'l stick to trying for the DM-4 thanks. But then along comes the LS-7 and
> makes me think again. It's cheaper then the DM-4, it sounds better, and it
> can record in full LPCM 96000KHZ at 24 bit. That's blue-ray audio. I don't
> know. We'll see, but I think I'll get this one instead. I mean, the catchy
> things about the DM-4 are the text to speech, speech recognition, and the
> DAISY player. But, it can only record in DVD quality namely 48000KHZ at 16
> bit. As much as I like the 3 above mentioned things about the DM-4, I'm
> really thinking about the LS-7. What do you guys think. Which should I go
> for in your opinion?
> -----Original Message-----
> From: pc-audio-boun...@pc-audio.org [mailto:pc-audio-boun...@pc-audio.org]
> On Behalf Of John Riehl
> Sent: Tuesday, July 12, 2011 9:42 PM
> To: pc-audio@pc-audio.org
> Subject: comparison between the LS-7 and DM-620
>
> I've purchased both the Olympus Ls-7 and the DM-620 and want to post a 
> brief
> comparison and review of the two recorders.
> The short version: I'm going to return the DM-620 to amazon.
> Although both recorders have three mics, the Ls-7 has better mics -- the 
> two
> side mics stick out more than the DM-620 mics. there is no comparison re 
> the
> quality of voice recordings; the LS-7 gives a much richer, life-like bass
> sound to recordings, even when recording in MP# mode.
> The DM-620 does not have a "pre-record" mode, which buffers two seconds of
> recording; the LS-7 has this mode.
> The DM-620 also does not have a 100HZ or 300HZ low-cut filter; you can
> either turn the low cut filter on or off on the DM-620.
> The LS-7 has a 100HZ and 300HZ low cut filter choice.
> both recorders have the same button configuration, which, in my opinion, 
> is
> inferior to the Dm-420 or Dm-520. the record,/pause and stop buttons are 
> on
> the front face of both recorders, not on the side as they are on the 
> DM-520.
> The case on both recorders is terrible; it is really a sleeve. It does not
> have a flap that opens and closes, nor does it have the "kickstand" 
> feature
> like the dM-520 case.
>
> Both recorders have the same level of voice guidance; 95% of the menu
> choices talk. Neither recorder gives you system memory info, nor can you 
> set
> the clock by voice as far as I know.
> But all of the record, lay, file, etc, selections speak on both recorders.
>
>
> In short, if you are looking for an excellent digital recorder, spend a 
> few
> more bucks and get the LS-7. You won't be sorry.
> .
>
> John Riehl
>
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