I could also ask why does the fact that the resulting music itself doesn't have much to do with censorship matter? (even though I think it's a little overstated, as the music is a direct translation of those data)
I reckon the modalities by which a process happens do matter in my personal methodology. However the response of a viewer to such process can be diverse from one individual to another. M 2010/12/20 Mathieu Bouchard <ma...@artengine.ca>: > On Mon, 20 Dec 2010, Marco Donnarumma wrote: >> >> 2010/12/20 Mathieu Bouchard <ma...@artengine.ca>: >>> >>> Ok. Thus your music doesn't really have anything to do with censorship. >> >> Not directly. The involved process does. > > Why does it matter, that the involved process does ? > > _______________________________________________________________________ > | Mathieu Bouchard ---- tél: +1.514.383.3801 ---- Villeray, Montréal, QC > -- Marco Donnarumma aka TheSAD Independent New Media Arts Professional, Performer, Teacher Ongoing MSc by Research, University of Edinburgh, UK PORTFOLIO: http://marcodonnarumma.com LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net | http://www.flxer.net EVENT: http://www.liveperformersmeeting.net _______________________________________________ Pd-list@iem.at mailing list UNSUBSCRIBE and account-management -> http://lists.puredata.info/listinfo/pd-list
