On Mon, 20 Dec 2010, Marco Donnarumma wrote:
I could also ask why does the fact that the resulting music itself
doesn't have much to do with censorship matter?
Because the title of the work is « Sonification of IT censorship
technologies » and this title is the public's first contact with the work.
If one can't reasonably hear the censorship in it, is it appropriate to
advertise the work using such a title ?
Also, if the media you give for documenting the work is a soundfile, and
not a way to witness the process, how can the audience relate to your
process instead of just to your soundfile ?
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| Mathieu Bouchard ---- tél: +1.514.383.3801 ---- Villeray, Montréal, QC
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