Oh, a couple more things.... I'd probably use XTOL 1:1 or FX-39 at a high dilution. FX-39 was developed for t-grain films, and at high dilutions should have a compensating action that might help with highlights. It may also be a bit grainier than other choices, but very sharp. Oh! Lloyd Ehrlich uses TMY, and has an article on his site: http://www.heylloyd.com/technicl/D23.html If you work in a darkroom, and haven't checked out Lloyd's site, you *really* should. http://www.heylloyd.com/ Click on the table of contents. tv - This message is from the Pentax-Discuss Mail List. To unsubscribe, visit http://www.pdml.net and follow the directions.
- Re: t-grain films (was re: TMax 400 ... Rob Studdert
- Re: t-grain films (was re: TMax ... Ed Mathews
- Re: t-grain films (was re: TMax ... Allan
- Re: t-grain films (was re: TMax ... William Robb
- Re: t-grain films (was re: TMax ... Ed Mathews
- Re: t-grain films (was re: TMax ... Norm Baugher
- Re: t-grain films (was re: TMax ... Ann Sanfedele
- Re: t-grain films (was re: TMax ... William Robb
- Re: t-grain films (was re: TMax ... William Robb
- Re: TMax 400 Processing Shel Belinkoff
- RE: TMAX 400 processing tom
- RE: TMAX 400 processing J. C. O'Connell
- RE: TMAX 400 processing Jens Bladt
- RE: TMAX 400 processing J. C. O'Connell
- RE: TMAX 400 processing tom
- RE: TMAX 400 processing J. C. O'Connell
- Re: TMAX 400 processing Shel Belinkoff
- RE: TMAX 400 processing J. C. O'Connell
- RE: TMAX 400 processing tom
- RE: TMAX 400 processing J. C. O'Connell
- Re: TMAX 400 processing William Robb