Oh, a couple more things....

I'd probably use XTOL 1:1 or FX-39 at a high dilution. FX-39 was
developed for t-grain films, and at high dilutions should have a
compensating action that might help with highlights. It may also be a
bit grainier than other choices, but very sharp.

Oh! Lloyd Ehrlich uses TMY, and has an article on his site:

http://www.heylloyd.com/technicl/D23.html

If you work in a darkroom, and haven't checked out Lloyd's site, you
*really* should.

http://www.heylloyd.com/

Click on the table of contents.

tv
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