Just ask Jeeves about the neg to pos RMS conversion
factor. Rule-of-thumb: neg RMS x 2.5. (Example: Neg of
4 x 2.5= 10 for pos).
No explanation noted as to why the two film types are
not based on the same scale. Much tech info avail if
one cares to read it.

Jack
--- Alin Flaider <[EMAIL PROTECTED]> wrote:
> 
>   Jack,
> 
>   In absolute terms, the negative emulsions have
> finer grain than
>   positive. Indeed, Agfa's best negative, Portrait
> 160 with it's
>   granularity of RMS 3.5 is obviously better than
> the RMS 10 of their
>   best positive - RSX 50. The difference maintains
> more or less at all
>   other manufacturers.
>   In real world though, the thicker layers of the
> positive emulsion
>   accounts for higher densities that translate to
> finer gradations in all
>   three colour channels. This comes at the expense
> of the reduced
>   exposure range compared to the negative emulsion,
> but given a
>   subject whose exposure range is covered by the
> positive emulsion
>   latitude, the positive delivers a richer image
> than the negative and
>   the continuity of tones hide its higher
> granulation giving the
>   overall better appearance.
>   In the digital era, this becomes even more obvious
> with the post
>   processing level of the scanned image: the lack of
> tones of the
>   negative emulsion image is immediately apparent as
> noise, sometimes
>   after as little as level adjustment and curve
> manipulation to open
>   the shadows. Despite its smaller grain, the noise
> gives the negative
>   film the contrary appearance.
>   In my limited experience, the only negative film
> that comes close to
>   various positives (like Provia 100F, CT Precisa
> 100, RSX 100, etc.)
>   in terms of rich image in tones is the Kodak RG50.
> Too bad it became
>   "obsolete". [Flame disclaimer: note that I don't
> discuss other
>   criteria like exposure latitude, colour linearity,
> etc.; it's not
>   the end of the world if I cannot capture all the
> subject's details,
>   to me a good picture should also suggest, not just
> depict).
>  
>   Servus,  Alin
> 
> Jack wrote:
> JD> I had a lab owner emphatically contend
> that.."positive
> JD> film of the same ISO has finer grain than
> negative
> JD> film". Didn't address b&w.
> JD> We happened to be reviewing a b&w print at the
> time
> JD> and their existed a situation wherein the
> subject
> JD> couldn't be pursued (customers waiting). 
> JD> I've since emailed him for a follow-up on his
> JD> recommendation that "b&w film be scanned as
> positive
> JD> film". 
> JD> If his answer (if received) is at all
> decipherable,
> JD> I'll forward it.
> JD> Does anyone know or suspect what he may be
> talking
> JD> about? 
> JD> I've, also, read the RMS charts but, their
> results
> JD> don't appear to be comparable.
> 
> 
> 
> JD>
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> 
> 

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