JCO writes- SEE MY COMMENTS AT BOTTOM THIS POST- I don't agree with
either of your contentions. Please read further below



----Original Message-----
From: Rob Studdert [mailto:[EMAIL PROTECTED] 
Sent: Sunday, September 25, 2005 10:03 PM
To: pentax-discuss@pdml.net
Subject: RE: anybody still shoot film?


On 25 Sep 2005 at 21:41, J. C. O'Connell wrote:

> I respectfully disagree because a SCAN
> is essentially the same a RAW file
> out of a DSLR. You record the scan
> for maximum fidelity to the neg and archive
> the scans. If later you want to do some
> post processing to somehow remove artifacts
> (like grain for example) you can but you
> wouldn't want a scan that did already did that because
> its not an accurate representation of
> the neg and any processing you do DURING
> the scan that loses the grain resolution
> is throwing away that image & grain detail forever
> and will not be recoverable. Do you agree
> this is a clear distinction and a valid
> one? --- because I DO.

Theoretically yes, practically no. Unless like others have said you can
afford 
to buy a 12000 dpi drum scanner or alternately afford to pay ~US$50 per scan

for the privilege. And then it wouldn't be usable unless all
colour/level/gamma 
adjustment could be perfected at the point of capture.

Back to the practicality of the issue: suppose some D3200 were shot at and 
processed to yield 1600ISO or higher then scanned at sufficient resolution
to 
reveal individual grains (2000dpi+). The resultant image will look and
behave 
like a lithograph. IOW no grey-scale adjustment/correction can be
accomplished 
on such an image until the individually rendered grains are integrated to
form 
an apparent grey-scale image.

Cheers,


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED] http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998
Rob,
========================================================
FROM JCO-

I don't want to sound argumentative
but I now disagree with you on 
BOTH PARTS of your reply above.

In the first part you state things
like costs and privileges make
that virtually impossible BUT I ALREADY
stated that in the previous post:

=======================================
JCO wrote before this new post of ROB's:

This is beyond my understanding.
The purpose of scanning is to create
a digital representation that
ACCURATELY shows exactly what's
on the negative and if grain
is there then it not only should
resolve the grain, it should resolve
well beyond the grain to be sure.
Of course file size and costs
and other issues affect real
world decisions but how can
anyone argue that a scan shouldn't
be able to resolve the grain if
the grain is visible on the neg?
Has the concept of high fidelity
been lost here? 
===========================================

As you can see I already STATED
EARLIER that costs and file sizes
etc effect real world decisions
so your argument saying its not
practical isnt different than
what I already said, in other
words you DO agree with me, it
looks like you werent but you
actually are. Secondly those
other factors like gamma, color
level etc you mention are nothing
more than tricks for scanners
that really cant accurately capture
the full range of the neg and 
selective capture what they can.
That not necessary if one has
a scan at the highest possibly
fidelity to the neg. You got for
the whole thingy.


Second part is a special appication
film- Although we never stated we
werent talking about continous tone
images which what 99.99+ photographic
images are, it would have to be
assumed by anyone logical if we
were talking about VISIBLE grain
no? If not, whatever, in that case
maybe you wouldn't with a cheap scanner
go for the "grain" but if you had
a super scanner capable of both
wide dymnamic range and fine granduations
even then recording the grain would
be better than not because that's
the RAW-NEG. You Process later if
you can capture all in the original
which has been my contention all along....

JCO






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