Godfrey,
They are, of course, Photoshop tool references.
I tried to respect your ideas and give validity while explaining why I
rendered it as I did.
You sound a bit indignant and your tone demeaning.
Surprises me.

Jack

--- Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:

> Jack,
> 
> I have no idea what you're referring to with the mention of  
> '"enhancement" and it's sub menus'. And, of course, it's your  
> photograph: as long as it pleases you, that's enough.
> 
> However, you asked for comments and critique. To my eye, on my  
> monitor, the line of the fence on the grasses is degraded because the
>  
> tonal separations there are too close together. This is a shame  
> because that fence line would lend a wonderful feel to the photo were
>  
> it rendered a little more clearly. I wouldn't want to change the  
> overall balance of the photo, it's nice as it is; a gentle adjustment
>  
> curve to separate those tones (and a mask to prevent the adjustment  
> from affecting anything else) so that they would one to see the  
> composition well in a print or on screen is all that's necessary.
> 
> I don't know what tools you're using to do your image processing, but
>  
> if there are "submenus" to effect such adjustments it seems awfully  
> crude.
> 
> Godfrey
> 
> On Jul 19, 2006, at 6:24 PM, Jack Davis wrote:
> 
> > In the past I've messed with "enhancement" and it's sub menus and  
> > have,
> > always, come back to this rendering.
> > Oddly, perhaps, I don't want to make out color tones or see MORE  
> > detail
> > in the fence or meadow grasses.
> > When I reached a point where I could comfortably feel the weight of
>  
> > the
> > fence line, I stopped. That, together with the stance of the
> bull(?),
> > were my total concern.
> > The sky was a soft wispy gift.
> >
> >> I like the concept, but would do a bit of work on the rendering.
> The
> >>
> >> foreground is just in that middle area between being too dark to
> >> matter and needing a bit of work to pull up some tonal separation.
> >>
> >>> Instantly loved the stance, grabbed up the camera (LX w/A 70~210 
> >>> \f/4)
> >>> and got this shot before it moved.
> >>>
> >>> http://photolightimages.com/aspupload/detail.asp?ID=143
> >>
> 
> 
> 
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