Godfrey,

> Even Kodak said there's not much usable IMAGE data in film much past  
> the 6000-8000 ppi scanning capability of todays high-end drum  
> scanners, Peter. There's more noise and grain data, of course, if  
> that's what you want to extract. Drum scanners of this order can  
> obtain more than 16 stops of useful tonal range data, if it were  
> there. It isn't.

well I have direct experience with some high end scanning equipment such 
as AGFA XY-15 or Crossfield Celsius. But this is not important I'm just 
mentioning it that I am aware what are these monsters capable of. 
Moreover these are not recent anymore... ;-)

> I'm in the process of doing a K10D dynamic range measurement  
> analysis, similar to what I did with the *ist DS a year or more back.  
> First order look at the results seems to show that at maximum it nets  
> 11.5 stops of DR in RAW capture mode, but whether there's anything  
> useful about that last stop and a half is debatable. I never saw  
> anything useful beyond about 9 stops out of B&W film with even the  
> most exotic processing chemistry and technique, most of the time 6-7  
> stops was about the useful limit for negatives.

I have done no direct comparisons between shooting the same scene with 
analog and digital yet. Eventually I will do it and I will be interested 
in the picture as a whole, not just resolution or dynamic range (or any 
other isolated parameter for that matter). For the time being my primary 
camera will be either MZ-S (or another M-series body ;-)), because it's 
proven technology and I am familiar enough with it (lack of artificial 
look also playing significant role) but I certainly won't keep my ist-Ds 
in the closet. Time will tell...

Cheers,

Peter

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